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"I used this line to demonstrate how important colors are in movies: It's not a caprice."
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"The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it."
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Personal Development
"Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions."
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Personal Development
"Michael would take us on location and see how the colors worked in the forests and fields."
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Personal Development
"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."
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Personal Development
"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"
Author Name
Personal Development
"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."
Author Name
Personal Development
"I used this line to demonstrate how important colors are in movies: It's not a caprice."
Author Name
Personal Development
"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."
Author Name
Personal Development
"Some colors are very difficult to render, and you must compensate to get the color you want on the screen."
Author Name
Personal Development
"Thank you for allowing me to use colors as rich and deep as you please. I had always wanted to do so, yet was never allowed because of the color capabilities of our lithographers. Now that I have done it, I don't think I'll ever go back."
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Personal Development
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"I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity."
Change
"I used this line to demonstrate how important colors are in movies: It's not a caprice."
Colors
"Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why."
Woman
"I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion."
Life
"I think that the consciousness of passion makes you act very differently."
Act
"With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner."
Film
"Cukor is one of my favorite directors. He was a master at directing women."
Woman
"In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government."
Government
"The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple."
Emotional
"I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness."
Life
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