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"I used this line to demonstrate how important colors are in movies: It's not a caprice."
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"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."
"I'll never forget the fall colors on the Berkshires."
"You look rather rash my dear your colors don't quite match your face."
"But what is of great importance to me is observation of the movement of colors."
"In this movement of colors I find the essence, which does not arise from a system, or an a priori theory."
"The makeup is simply an extension of the personality and colors, clothing, makeup all express something."
"We think the Puritans always dressed in black and white, which they didn't. They loved very bright colors. And there were other differences in perceptions that gave one a very different view of them."
Explore more quotes by Pedro Almodovar
"In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government."
"It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing."
"I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness."
"Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities."
"Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places."
"I think it's a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity."
"The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images."
"Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have."
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