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Danny Elfman

"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."

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"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."

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Akiroq Brost

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Akiroq Brost

"Harpists spend half their life tuning and the other half playing out of tune."

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Akiroq Brost

"Human speech is like a cracked kettle on which we tap crude rhythms for bears to dance to, while we long to make music that will melt the stars."

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Akiroq Brost

"Music is the fertilizer for heart to bloom the flower of love and peace."

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Akiroq Brost

"Music opens the window of the soul to let the nectar of life come in."

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Akiroq Brost

"Nothing is capable of being well set to music that is not nonsense."

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Akiroq Brost

"You have to open your mind. I like the ability to express myself in a deep way. It's the closest music to our humanity - it's like a folk music that rises up out of a culture."

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Akiroq Brost

"The best songs I write in 20 minutes."

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Akiroq Brost

"I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilised music in the world."

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Akiroq Brost

"I'm half Jewish, I'm half black, I look in-between. I dress funny. I play all these different styles of music on one record. It's like, What is he doing?"

Explore more quotes by Danny Elfman

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Danny Elfman
"So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses."
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Danny Elfman
"I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often."
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Danny Elfman
"I don't see myself necessarily having a burning desire to write a symphony."
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Danny Elfman
"You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier."
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Danny Elfman
"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."
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Danny Elfman
"So I've learned in the past, if a company approaches me and they want something like this, or something like that that I've done and I turn them down, they're going to do it anyhow."
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Danny Elfman
"I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging."
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Danny Elfman
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
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Danny Elfman
"It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am."
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Danny Elfman
"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."
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