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"It was like waking from a nightmare to a worse nightmare."
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"I tried writing fiction as a little kid, but had a teacher humiliate me, so didn't write again until I was a senior in college."
"My traumatic experience was life changing."
"He wants me to tell him about the front; he is curious in a way that I find stupid and distressing; I no longer have any real contact with him. There is nothing he likes more than just hearing about it. I realize he does not know that a man cannot talk of such things; I would do it willingly, but it is too dangerous for me to put these things into words. I am afraid they might then become gigantic and I be no longer able to master them. What would become of us if everything that happens out there were quite clear to us?"
"Many call it the 1000 yard stare and can't realize the pain when PTSD takes us there."
"The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings."
Explore more quotes by Donna Tartt
"Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent."
"But when she was annoyed with me, she had a cold way of saying "Apparently in answer to almost anything I said, making me feel stupid. "Um, I can't find the can opener. "Apparently. "There's going to be a lunar eclipse tonight. "Apparently. "Look, sparks are coming out of the wall socket. "Apparently."
"To really be centered and to really work well and to think about the kinds of things that I need to think about, I need to spend large amounts of time alone."
"Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist."
"I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories."
"The shame that tormented me was all the more corrosive for having no very clear origin: I didn't know why I felt so tainted, and worthless, and wrong-only that I did, and whenever I looked up from my books I was swamped by slimy waters rushing in from all sides."
"Whenever you see flies or insects in a still life-a wilted petal, a black spot on the apple-the painter is giving you a secret message. He's telling you that living things don't last-it's all temporary. Death in life. That's why they're called natures mortes. Maybe you don't see it at first with all the beauty and bloom, the little speck of rot. But if you look closer-there it is."
"The storytelling gift is innate: one has it or one doesn't. But style is at least partly a learned thing: one refines it by looking and listening and reading and practice - by work."
"On the other hand, I mean, that is what writers have always been supposed to do, was to rely on their own devices and to - I mean, writing is a lonely business."
"What do you think about America?""Everyone always smiles so big! Well-most people. Maybe not so much you. I think it looks stupid."
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