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"It's always such a joy that you wake up in the morning and there's work to do."
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"We try, when we wake, to lay the new day at God's feet; before we have finished shaving, it becomes our day and God's share in it is felt as a tribute which we must pay out of 'our own' pocket, a deduction from the time which ought, we feel, to be 'our own'. A man starts a new job with a sense of vocation and, perhaps, for the first week still keeps the discharge of the vocation as his end, taking the pleasures and pains from God's hand, as they came, as 'accidents'. But in the second week he is beginning to 'know the ropes': by the third, he has quarried out of the total job his own plan for himself within that job, and when he can pursue this he feels that he is getting no more than his rights, and when he cannot, that he is being interfered."

"The Lord had given them the day and the Lord had given them the strength. And the day and the strength had been dedicated to labor, and the labor was its reward. Who was the labor for? What would be its fruits? These were irrelevant and idle questions."

"If I went to work in a factory the first thing I'd do is join a union."

"Employment stereotypes you."

"The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere."
Explore more quotes by Jerome Lawrence

"Our only competition in the theater is boredom, because if I'm bored with a play, if I'm revolted by a play on stage, with the Broadway prices, especially today, I'm going to walk out and not come back and pay that price again."

"If you're going to make a musical, don't cartoon it from the play. Make it better than the play. Have a reason for making it sing."

"A neurotic is a man who builds a castle in the air. A psychotic is the man who lives in it. A psychiatrist is the man who collects the rent."

"In no instance is there to be a musical or opera of Inherit the Wind because it doesn't sing. It's an intellectual play."

"The aftermath of the war is what inspired us to write many of our plays. The whole reason for our writing Inherit the Wind was that we were appalled at the blacklisting. We were appalled at thought control."

"The whole point of writing is to have something in your gut or in your soul or in your mind that's burning to be written."

"You must not demand the failure of your peers, because the more good things that are around in film, in television, in theater - why the better it is for all of us."
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