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Trevor Nunn

"One fine day I discovered that more complex plays really have to be directed."

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"One fine day I discovered that more complex plays really have to be directed."

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Amber Hurdle

"The great thing about redirecting is that if you miss the mark and miss your goal, you can simply change course. When you are heading down a certain path, and feel like you may be heading the wrong way, stop, turn back, redirect, or ask for directions."

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Amber Hurdle

"Put yourself in the driver seat by designing the best attitude possible to help you get where you need and want to go."

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Amber Hurdle

"The direction you choose to face determines whether you're standing at the end or the beginning of a road."

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Amber Hurdle

"Putin has a lot at stake here and restoring the relationship with the United States, and there are already signs as Sandy mentioned that he's moving in the right direction to begin to ascertain that their trade with Iran is not used for the production of nuclear weapons."

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Amber Hurdle

"You can't look back - you just have to put the past behind you, and find something better in your future."

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Amber Hurdle

"When we set up a goal for ourselves our body start to mobilize all its strength in one direction."

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Amber Hurdle

"You need to answer questions on where, when and what to do."

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Amber Hurdle

"There's nothing worse than having everybody thinking alike, talking alike and having the same direction in mind. It gets stale that way."

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Amber Hurdle

"You can't expect to go both ways when you're driving on a one-way street."

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Amber Hurdle

"Don't go in the opposite direction, locate your calling."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera."
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Trevor Nunn
"In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor."
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Trevor Nunn
"Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time."
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Trevor Nunn
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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Trevor Nunn
"I've just taken the decision that I'm going to now go full time back into the theater."
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Trevor Nunn
"In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work."
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Trevor Nunn
"I've experienced a private doubt, something that I've kept deeply inside, and then eventually delivered a piece of work that people responded to with huge enthusiasm."
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Trevor Nunn
"I so wanted to perform, and I grasped every opportunity."
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Trevor Nunn
"I had a feeling about Shakespeare's soliloquies, that there should be a real exchange between the actor and the audience."
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Trevor Nunn
"A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature."
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