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Miroslav Vitous

"I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything."

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"I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything."

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Asa Don Brown

"I might have played a little bit more in Europe than I have in Japan."

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Asa Don Brown

"It is chiefly in New York that I feel induced to urge this, because New York is, by innumerable ties, connected with Europe - more connected than several parts of Europe itself."

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Asa Don Brown

"In Europe, they're more demanding, the ones that rent the build ings."

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Asa Don Brown

"What I can say is that for may years jazz musicians had to go to Europe, for instance, to be respected and to be sort of treated not in a discriminatory way. I don't think there is anything controversial about me saying that. This is just a fact."

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Asa Don Brown

"In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland."

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Asa Don Brown

"We didn't realize there were that many boy bands until we started touring in Europe. I don't think we were ever affected by it since a lot of the groups in Europe didn't really sing live, but we did and would perform a cappella as well."

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Asa Don Brown

"If there was to be a new Europe, there not only had to be a common market, but also great mobility in labor."

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Asa Don Brown

"It may be said that modern Europe with teachers who inform it that its realist instincts are beautiful, acts ill and honors what is ill."

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Asa Don Brown

"Historians don't really like to carry on speculative debates, but you could certainly argue that the likelihood of a Soviet invasion of Western Europe was extremely, extremely low."

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Asa Don Brown

"It's hard to explain why I like Europe so much."

Explore more quotes by Miroslav Vitous

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Miroslav Vitous
"The money in the schools overpowers the principles of the purpose."
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Miroslav Vitous
"I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself."
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Miroslav Vitous
"So I am one of those bass players who can do something and musically, it was back then and now it is even more, if you noticed on the new album, I am not playing all the time anymore."
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Miroslav Vitous
"That was really so upsetting when you are trying to pass on some very serious knowledge and be basically, treated worse than a student coming off the street because his father pays the tuition. Come on. Give me a break. This is no school. This is a joke."
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Miroslav Vitous
"I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova."
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Miroslav Vitous
"Miles Davis had me play and he hired me the following week and after that, everything broke wide open."
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Miroslav Vitous
"They taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer."
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Miroslav Vitous
"I was very much fascinated with the technology we had that we could edit in the computer our compositions, but all the sounds that were available on the market were crap."
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Miroslav Vitous
"So the whole basis for jazz music is based on the fact that the bass player could not play his instrument."
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Miroslav Vitous
"So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it."
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