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Neil Jordan

"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."

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"Well, if you're talking about the current climate, there's a lack of content in American film because I think people are deeply confused about their emotions, and they don't regret certain aspects of their own foreign policy."

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Amber Hurdle

"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."

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Amber Hurdle

"Young people have a marvelous faculty of either dying or adapting themselves to circumstances."

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Amber Hurdle

"For us in Russia communism is a dead dog. For many people in the West, it is still a living lion."

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Amber Hurdle

"People who have given us their complete confidence believe that they have a right to ours. The inference is false, a gift confers no rights."

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Amber Hurdle

"For us in Russia, communism is a dead dog, while, for many people in the West, it is still a living lion."

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Amber Hurdle

"When you use the term minority or minorities in reference to people, you're telling them that they're less than somebody else."

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Amber Hurdle

"Happy the people whose annals are vacant."

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Amber Hurdle

"What had begun as a movement to free all black people from racist oppression became a movement with its primary goal the establishment of black male patriarchy."

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Amber Hurdle

"They're talking about banning cigarette smoking now in any place that's used by ten or more people in a week, which, I guess, means that Madonna can't even smoke in bed."

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Amber Hurdle

"Let's make a law that gay people can have birthdays, but straight people get more cake - you know, to send the right message to kids."

Explore more quotes by Neil Jordan

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Neil Jordan
"It's nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do."
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Neil Jordan
"I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like."
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Neil Jordan
"I'm less comfortable making American movies because I don't know them so well."
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Neil Jordan
"In Dreams... well, I was slightly overcompensating with that. I was a bit like a director for hire, so maybe I was putting too much imagery that was familiar to me into it."
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Neil Jordan
"Well, Company of Wolves was about that literally, about fairy tales."
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Neil Jordan
"The Company of Wolves is about how society teaches young women to look at themselves, and what to be afraid of. It's about a girl learning that the world of sensuality and the unknown is not to be feared, that it's worth getting your teeth into."
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Neil Jordan
"I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book."
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Neil Jordan
"It's the opposite journey from what I've usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much more complicated."
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Neil Jordan
"The Company of Wolves doesn't belong in any category, so it's difficult to prepare an audience for it. It's not a horror film, it's not a fantasy film, it's not a children's film - so what is it?"
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Neil Jordan
"It's hard to know whether certain characters come to life or not, they either come to have their own life or they don't. I've written many things in which the characters just remain inert."
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