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"The depressed person was in terrible andunceasing emotional pain, and the impossibility of sharing or articulating this pain was itself a component of the pain and a contributing factor in its essential horror. Despairing, then, of describing the emotional pain itself, the depressed person hoped at least to be able to express something of its context, its shape and texture, as it were-by recounting circumstances related to its etiology."
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"Honestly, if I stay on this gruelling path, I'm going to end up as another suicide statistic."

"Some people never go crazy. Me, sometimes I'll lie down behind the couch for 3 or 4 days. They'll find me there. It's Cherub, they'll say, and they pour wine down my throat rub my chest sprinkle me with oils. Then, I'll rise with a roar, rant, rage - curse them and the universe as I send them scattering over the lawn. I'll feel much better, sit down to toast and eggs, hum a little tune, Suddenly become as lovable as a pink overfed whale. Some people never go crazy. What truly horrible lives they must lead."

"Keep negative people long meters away from you; their presence is a threat to your high self-esteem! Job, the man of God kept his wife afar before he could make it again!"

"...they would say 'he said this, he did that', but they would never say 'she said this, she did that'. So I would say, they are sick, and I am well. Pardon me."

"Anxiety and stress derive from fear and self-doubt."

"I was cyber-bullied before all those Myspace-related suicides, so my school principal wasn't really impressed when my mom complained about what was happening to me on my Xanga blog and on AIM chat."Get your life sorted out, you fucking scitzo [sic] dyke tranny bitch, one comment might say.Another comment would say something like, "I know she's reading this, she's so pathetic.And, perhaps most frightening of all: "I'm going to fuck you up until your mother bleeds."

"No one sees your strength, do they? No one sees the silent battle you fight against your overprotective mind that's trying to keep you safe from harm by keeping you safe from risk, safe from connection, safe from honesty. Maybe others don't see, but you see it sometimes, don't you? In the mirror, in those eyes, begging for someone to notice. You have noticed. It is real. You are strong. You are fighting for something incredible. Don't let anyone convince you otherwise-especially not your thoughts."

"He: What's the matter with you?Me: Nothing.Nothing was slowly clotting my arteries. Nothing slowly numbing my soul. Caught by nothing, saying nothing, nothingness becomes me. When I am nothing they will say surprised in the way that they are forever surprised, "but there was nothing the matter with her."

"I just want to sleep. A coma would be nice. Or amnesia. Anything, just to get rid of this, these thoughts, whispers in my mind. Did he rape my head, too?"

"As long as everyone thinks you're a cutter or tried to commit suicide you'll always be on the outs."
Explore more quotes by David Foster Wallace

"Something they seem to omit to mention in Boston AA when you're new and out of your skull with desperation and ready to eliminate your map and they tell you how it'll all get better and better as you abstain and recover: they somehow omit to mention that the way it gets better and you get better is through pain. Not around pain, or in spite of it."

"You see parents as kind or unkind or happy or miserable or drunk or sober or great or near-great or failed the way you see a table square or a Montclair lip-read. Kids today... you kids today somehow don't know how to feel, much less love, to say nothing of respect. We're just bodies to you. We're just bodies and shoulders and scarred knees and big bellies and empty wallets and flasks to you. I'm not saying something cliché like you take us for granted so much as I'm saying you cannot... imagine our absence. We're so present it's ceased to mean. We're environmental. Furniture of the world."

"In school I ended up writing three different papers on "The Castaway" section of Moby-Dick, the chapter where the cabin boy Pip falls overboard and is driven mad by the empty immensity of what he finds himself floating in. And when I teach school now I always teach Crane's horrific "The Open Boat," and get all bent out of shape when the kids find the story dull or jaunty-adventurish: I want them to feel the same marrow-level dread of the oceanic I've always felt, the intuition of the sea as primordial nada, bottomless, depths inhabited by cackling tooth-studded things rising toward you at the rate a feather falls."

"You have a great deal of yourself on the line, writing- your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal."

"This might be one way to start talking about differences between the early postmodern writers of the fifties and sixties and their contemporary descendants."

"What teachers and the administration in that era never seemed to see was that the mental work of what they called daydreaming often required more effort and concentration than it would have taken simply to listen in class. Laziness is not the issue. It is just not the work dictated by the administration."

"Its emotional character is probably mostly indescribable except as a sort of double bind in which any/all of the alternatives we associate with human agency -sitting or standing, doing or resting, speaking or keeping silent, living or dying- are not just unpleasant but literally horrible."

"Worship your body, beauty, and sexual allure and you will die a million deaths before they finally grieve you."
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