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"This music ebbs and flows, irregular, sad. It reminds me, weirdly, of watching the ocean during a bad storm, the lashing, crashing waves and the spray of sea foam against the docks; the way it takes your breath away, the power and the hugeness of it.That's exactly what happens as I listen to the music, as I come up over the final crest of hill, and the half-ruined barn and collapsing farmhouse fan out in front of me, just as the music swells, a wave about to break: The breath leaves my body all at once, and I'm struck dumb by the beauty of it. For a second it seems to me like I really am looking down at the ocean-a sea of people, writhing and dancing in the light spilling down from the barn like shadows twisting up around a flame."
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"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

"Let music ignite your vivid inner colors and bring you harmony inside and out."

"A work of art has no importance whatever to society. It is only important to the individual."

"The effort of art is to keep what is interesting in existence, to recreate it in the eternal."
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"Two weeks until your cure" she says finally. "Sixteen days" I say, but in my head I'm counting: Seven days. Seven days until I'm free and away from all these people and their sliding superficial lives brushing past one another gliding, gliding, gliding from life to death. For them there's hardly a change between the two."

"What did Saturday's used to taste like? Like eggs and fried ham and the bitter smell of hair in heavy rollers. Like long quiet hours and making up after a fight. Like ointment and bruising. Like waiting, especially, for something - anything - to happen."

"I was a troubled teen and I was constantly looking for someone to throw me a rope. Those ropes are connections. They allow us to see that life exists beyond the little worlds we are currently a part of."

"Do the other kids make fun of you? For how you talk?''Sometimes.''So why don't you do something about it? You could learn to talk differently, you know.'But this is my voice. How would you be able to tell when I was talking?"

"He and I have a head-nod friendship, since that's pretty much the limit of our interaction."

"I guess that's just part of loving people: You have to give things up. Sometimes you even have to give them up."
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