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"You can make yourself feel better about yourself if you project your shadow side, if you project your own potential for evil onto someone else. By annihilating them and, therefore, your shadow, you bring yourself into some state of purity or reformation."
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"No man is clever enough to know all the evil he does."
"Let us not paralyze our capacity for good by brooding of man's capacity for evil."
"Those who forget good and evil and seek only to know the facts are more likely to achieve good than those who view the world through the distorting medium of their own desires."
"A man prone to suspect evil is mostly looking in his neighbor for what he sees in himself."
Explore more quotes by Jennifer Beals
"There was a sense of all the things that go on on the street, particularly in New York, that you are just completely unaware of, that that conversation could be happening at any time. I loved the instability of the camera. It's just an unstable world."
"What is their potential for evil; what is their potential for wickedness? That's the only time that those characters become interesting to watch."
"I don't think Roger Dodger is really about men. I think it is more about relationships and about how you present yourself, not only to the opposite sex, but to yourself. What lies are you going to tell yourself in order to get through the day?"
"Oftentimes what happens is that the writer understands one character, but they don't understand the other one, and the other one ends up not being written as well."
"It doesn't seem as if there's that much of a difference between a big production and a little production, other than you have a smaller space in which to get dressed and you have a shorter waiting time."
"I wouldn't want them to feel lonely or outcast ever in any way. And no matter where they were in the world, I'd want them to always feel incredibly confident about who they were and proud."
"Oh, this absolute loneliness and the game - loving to play the game, loving to go and tell stories to men that certainly weren't true, just for the sport of it, just to see how they would react."
"The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs."
"I said, wouldn't it be nice, instead of having these women fight with each other over men, which seems to be more of a cliche, wouldn't it be wonderful if they were the true comrades and it took these men much more time to infiltrate their friendships."
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