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"I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever."
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"I spoke to my agent and learned that a Hollywood scout had seen my proposal in one of the publishing houses, and had faxed it to Hollywood, where it was generating a lot of interest."

"But we did the Pink Panther not in Hollywood, in Italy."

"I have to go back to my younger days, when I just adored Hollywood musicals."

"I bought a house in the Hollywood Hills and brought my grandmother from Harlem to live in it with me."

"The trap is that you then just start doing stuff about Hollywood, which I don't really want to do."

"I don't think there's a back lot here in Hollywood anymore that has those streets, like a French Quarter."

"I sort of became infatuated with soldiers. I got to know some of them and got a little perturbed with Hollywood making a spectacle out of them and making them look like they have screwed up somehow."
Explore more quotes by Barry Levinson

"I worked at a local television station and I got a chance to direct and do all those things - worked kiddie shows, Ranger House show with the hand puppets and things like that."

"The interesting thing about movies, it's not always - y'know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable."

"A lot of time mistakes are very interesting - you look for the behaviour that's not the one you expect."

"It's finding those nonsensical pieces of conversation that we all do all the time. We do all the time. When we're talking on the telephone, there are arguments with people who agree when they both think that they disagree."

"First of all, just to get Diner made would have been an achievement in that I got a chance to direct."

"It's those moments, those odd moments that you look for and sometimes by creating this kind of loose atmosphere you find those little moments that somehow mean a lot to an audience when they really register right."

"Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made."

"When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came."

"All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me."
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