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Rod Steiger

"That's not a villain, that's a man whose a victim of being in love with the wrong one."

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"That's not a villain, that's a man whose a victim of being in love with the wrong one."

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Amber Hurdle

"In the morning, when he entered my room, I grumbled, but he was like the sunlight to me, all the same. One cannot defend oneself against those brats. They take hold of you, they hold you fast, they never let you go again. The truth is, that there never was a cupid like that child."

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Amber Hurdle

"You know you are in pure love when you see only the beauty inside you and all around you."

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Amber Hurdle

"These are the quicksilver moments of my childhood I cannot remember entirely. Irresistible and emblematic, I can recall them only in fragments and shivers of the heart."

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Amber Hurdle

"To love is to act."

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Amber Hurdle

"Falling in love is very easy, but staying in love is very difficult."

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Amber Hurdle

"I was a watchful boy being raised by a father I didn't admire. In a desperate way, I needed the guidance of someone who could show me another way of becoming a man. It was sometime during the year when I decided I would become the kind of man that Bill Dufford was born to be. I wanted to be the type of man that a whole town could respect and honor and fall in love withthe way Beaufort did when Bill Dufford came to town to teach and shape and turn its children into the best citizens they could be."

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Amber Hurdle

"Each day brings new opportunities, allowing you to constantly live with love-be there for others-bring a little light into someone's day. Be grateful and live each day to the fullest."

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Amber Hurdle

"The mind judges in order to love. The heart just loves unconditionally."

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Amber Hurdle

"If there is no love, how can there be passion or reason?"

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Amber Hurdle

"Friendship is born at that moment when one person says to another: "What! You too?"

Explore more quotes by Rod Steiger

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Rod Steiger
"I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know."
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Rod Steiger
"I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that."
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Rod Steiger
"And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully."
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Rod Steiger
"If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?"
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Rod Steiger
"Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of."
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Rod Steiger
"I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something."
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Rod Steiger
"I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling."
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Rod Steiger
"Sometimes it's great, sometimes it's bad. I think the film could have been a lot better."
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Rod Steiger
"I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody."
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Rod Steiger
"I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear."
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