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"This would be...a book that would be a trapdoor down into some place dark. A place only you could go, alone, when you opened the cover. Because only books have that power."
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"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."

"Stories are like children. They grow in their own way."

"In great literature, I become a thousand different men but still remain myself."

"It is my opinion that a story worth reading only in childhood is not worth reading even then."

"It is usually unbearably painful to read a book by an author who knows way less than you do, unless the book is a novel."

"The literary man re-reads, other men simply read."

"And she never could remember and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book."

"One of the most dangerous of literary ventures is the little, shy, unimportant heroine whom none of the other characters value. The danger is that your readers may agree with the other characters."

"Like someone excitedly relating a story, only to find the words petering out, the path gets narrower the further I go, the undergrowth taking over."

"I didn't read so much Japanese literature. Because my father was a teacher of Japanese literature, I just wanted to do something else."
Explore more quotes by Chuck Palahniuk

"If you can change the way people think, she said.The way they see themselves.The way they see the world.If you do that, you can change the way people live their lives.And that's the only lasting thing you can create."

"Do you know why most survivors of the Holocaust are vegan? It's because they know what it's like to be treated like an animal."

"HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it's so cool to be ENLIGHTENED. Like me."

"Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?"

"Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins."

"If this is death, if we are dead or dying or even if we are living and just going to die, then what do we have to fear? What are we worried about? I think the knowledge of death is freeing. That pressure we feel, the weight of life and its impending conclusion, is imaginary. And the fact that we're all in this together is unifying: there's solidarity in mortality."
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