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"There are some sounds that English singers find quite difficult to manipulate."
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"Language is fossil poetry. As the limestone of the continent consists of infinite masses of the shells of animalcules, so language is made up of images, or tropes, which now, in their secondary use, have long ceased to remind us of their poetic origin."

"The dream vocabulary shaves meanings finer and closer than do the world's daytime dictionaries."

"I liked, as I like still, to make words look self-conscious and foolish, to bind them by mock marriage of a pun, to turn them inside out, to come upon them unawares. What is this jest in majesty? This ass in passion? How do god and devil combine to form a live dog?"

"She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else."

"A dog is der Hund the dog; a women is die Frau the wom[an]; a horse is das Pferd, the horse; now you put that dog in the Genitive case, & is he the same dog he was before? No sir; he is das Hundes; put him in the Dative case & what is he? Why, he is dem Hund. Now you snatch him into the accusative case & how is it with him? Why he is den Hunden? ... Read moreBut suppose he happens to be twins & you have to pluralize him, what then? Why sir they'll swap that twin dog around thro' the four cases till he'll think he's an entire International Dog Show all in his own person. I don't like dogs, but I wouldn't treat a dog like that. I wouldn't even treat a borrowed dog that way."

"Greek was very much a live language, and a language still unconscious of grammar, not, like ours, dominated by definitions and trained upon dictionaries."
Explore more quotes by Neville Marriner

"Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti."

"So I think we got together as the Academy to give ourselves that sort of responsibility and to play well."

"Music is a continuum and the modern and avant-garde composers of today will be part of the standard repertoire 30 years from now."

"But the most important test is to take them on tour and see if you can bear to spend time with them."

"So I've never found there was any particular separation between the two cultures at all, musically speaking."
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