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John Guare

"We live in a world where amnesia is the most wished-for state. When did history become a bad word?"

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"We live in a world where amnesia is the most wished-for state. When did history become a bad word?"

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Amber Hurdle

"History must be documented, every moment is a sacred history."

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Amber Hurdle

"History displays the events of time."

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Amber Hurdle

"History is rich knowledge. In your travel, learn brief history of the place visited."

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Amber Hurdle

"Once upon a time, there was a civilization in the eastern side of the world. It was one of the most advanced civilizations on the planet that existed during that time.This civilization was the glorious Indus valley civilization. No, I am not talking about India. I am talking about the land of greatness that got lost in time. Today, in the same geographical location of that great civilization, we have a piece of earth, which is known as "India. But do not mistake it to be the same glorious land that existed thousands of years ago, along with other magnificent civilizations, such as the Greeks, the Mayans, the Egyptians, the Babylonians etc."

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Amber Hurdle

"Every period in history has its own peculiarities."

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Amber Hurdle

"We are a day away from making history, and a history towards the breaking of tommorrow."

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Amber Hurdle

"If you'll excuse a brief history lesson: most people didn't experience 'the sixties' until the seventies. Which meant, logically, that most people in the sixties were still experiencing the fifties--or, in my case, bits of both decades side by side. Which made things rather confusing."

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Amber Hurdle

"Here are the shadows left behind by a thousand moments, a thousand moods, of needs traced here on the wall by men who are gone. Here is the record of their being here."

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Amber Hurdle

"During the Cold War of the 1950s, American spies were issued eyeglasses with thick, clunky frames. If captured, they were trained to casually chew the curved earpieces, where fatal doses of cyanide were cast inside the plastic. It's these same horn-rimmed suicide glasses, the wrangler says, that inspired the look of Buddy Holly and Elvis Costello. All those young hipsters wearing death on their nose."

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John Guare
"I think of the New York City Ballet as the Yankees without George Steinbrenner."
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John Guare
"The New York City Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that."
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John Guare
"What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do."
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John Guare
"And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present."
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John Guare
"The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive."
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John Guare
"I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes."
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John Guare
"The ballet makes us look at those bodies, it makes us listen to that music, it makes us wonder at the geometry, of the way they come together. The way that extraordinary space is controlled and given such emotional force."
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John Guare
"People go to see beautiful paintings to see how much they cost. Wow. The practical value is that it shows you what the human spirit can do."
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John Guare
"However, the moral center of New York City, I believe, is the New York City Ballet."
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John Guare
"And what would be great numbers in a Broadway show are now on stage of the New York City Ballet."
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