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Mike Figgis

"I might have a guitar or a piano on set to play something for the actors."

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"I might have a guitar or a piano on set to play something for the actors."

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Amber Hurdle

"I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely."

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Amber Hurdle

"The worst thing for an actor is a director that gets on your nerves and says things that actually confuse you."

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Amber Hurdle

"I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy."

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Amber Hurdle

"We want the best actor, and that's why Matt Damon worked so well in this role, because he's a great actor."

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Amber Hurdle

"The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor."

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Amber Hurdle

"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."

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Amber Hurdle

"I was an actor... or, at least, I was trying to be an actor."

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Amber Hurdle

"For a child actor, it's a matter of listening, reacting, and being able to put yourself in a new place without being scared."

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Amber Hurdle

"A lot of actors just do whatever they do, and wherever the camera is, it is. They don't pay much attention, but I always did. I was always very close to the camera crew. They were my best buddies, no matter what movie or show I was doing."

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Amber Hurdle

"I'm a rapper trying to be an actor."

Explore more quotes by Mike Figgis

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Mike Figgis
"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."
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Mike Figgis
"The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that."
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Mike Figgis
"I want the score to have a really big voice."
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Mike Figgis
"When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer."
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Mike Figgis
"Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success."
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Mike Figgis
"I like to work my camera as if it were a musical instrument."
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Mike Figgis
"In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form."
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Mike Figgis
"I play piano and trumpet. I studied classical guitar."
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Mike Figgis
"I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film."
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Mike Figgis
"You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time."
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