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"I hate that expression, 'fusion.' What it means to me is this movement where nothing ever really fused."
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"I thought of writing a summary about you, but when I finished it was a book."
"I'm fulfilling my calling when I raise my voice high."
"Smiling and Expressions of Emotion. A genuine smile is inviting, contagious, and encouraging. People do read a book by its cover and your expressions provide a glimpse for what they'll find inside."
"It's not really outstanding when you're standing outOutcry is the only outburst,if you can't shout."
"Smiling is one of your most powerful non-verbal behaviors. People do read a book by its cover and these expressions provide glimpses into what they will find inside."
"When I feel the beauty in words, I am sensing the logic of heart."
"Every word first looks around in every direction before letting itself be written down by me."
"Poise: a graceful and elegant bearing in person; a composure of dignity and manner.Postures: the position of a person's body when standing, sitting, or walking; carriage, bearing, and stance.Gestures: moving parts of your body to express an idea, opinion, emotion, or meaning."Poise confirms purpose. Postures portray personality. Gestures express emotions. Your poise, postures, and gestures make a powerful statement about who you are and how you feel about yourself. This dynamic trio speaks volumes about you."
"A dash of humor will only add intense gravity to the proceedings, even as a flash of lightning only makes midnight dreariness all the more impressive."
Explore more quotes by Wayne Kramer
"As time went on, we formed a number of different bands. We played in rival, neighborhood bands. We learned more songs and we learned how to play Chuck Berry music and we learned Ventures songs."
"When I first started playing in a band, before the Beatles, working bands played standards and they saved their rock material til the end of the night when they were really stretched out. It could be pretty lame."
"When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos."
"If you put this in the context of Detroit in '64 or '65, the economy was booming. Everybody had jobs and there was a whole nightclub culture where bands could work."
"Drugs, sex, booze, all the stuff that we wanted to do. The problem was that we didn't want to learn the top 40 'cause most of the music was awful and we had this other idea about what we wanted to do."
"When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people."
"You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking."
"It wasn't a class system where I was the better guy and he was the second-rate guy. That was his role and my role was to play the solos. But he took great pride in his technique as a rhythm guitarist."
"Aesthetically, we were enormously successful. Economically... there was no success. It was all about music of the future and unfortunately it was a band that didn't have any future."
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