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"To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song."
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"The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means."
"Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all."
"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."
"Most critics, fond of subservient artstill make the whole depend upon a part.They talk of principles, but notions prizeAnd all to one loved folly sacrifice."
"One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin."
"Art and the artist meet in stages, slowly revealing themselves until both are satisfied with what the other has become."
"A picture is a voiceless poem, a poem is a vocal picture."
"It starts with this: put your desk in the corner, and every time you sit down there to write, remind yourself why it isn't in the middle of the room. Life isn't a support system for art. It's the other way around."
Explore more quotes by Henri Frederic Amiel
"Without passion man is a mere latent force and possibility, like the flint which awaits the shock of the iron before it can give forth its spark."
"Our systems, perhaps, are nothing more than an unconscious apology for our faults, a gigantic scaffolding whose object is to hide from us our favorite sin."
"In every loving woman there is a priestess of the past - a pious guardian of some affection, of which the object has disappeared."
"Sacrifice still exists everywhere, and everywhere the elect of each generation suffers for the salvation of the rest."
"Thought is a kind of opium; it can intoxicate us, while still broad awake; it can make transparent the mountains and everything that exists."
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