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"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."
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"There are so few directors who are musical who appreciate music."
"I can see me continuing to make the best music I can, and let the chips fall where they may."
"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."
"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."
"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."
"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."
"A song has to become as much a part of you as a tailored suit."
"There's nothing to compare to live music, there just isn't anything."
Explore more quotes by Luc Ferrari
"I was born in Paris, and I haven't moved, except until now - I live in the suburbs and I hate it."
"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
"With the piano I'm completely in control of the gestural situation-not that I'm going to play the piece myself, but I know what's difficult, what's impossible."
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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