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Luc Ferrari

"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."

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"Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology."

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Amber Hurdle

"Miranda raised her eyebrows. Apparently she hadn't figured me for a country music fan. I liked her for that."

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Amber Hurdle

"Music is the language of the soul and the expression of deep inner feelings."

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Amber Hurdle

"Music is the art of the prophets and the gift of God."

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Amber Hurdle

"What is my definition of jazz? 'Safe sex of the highest order."

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Amber Hurdle

"They say that the eyes of some paintings can follow you around the room, a fact that I doubt, but I am wondering whether some music can follow you for ever."

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Amber Hurdle

"No one can any longer write in the fat style of Strauss. That was killed by Stravinsky. He stripped the body of much of its clothes. Music is the craft of building structures with sound and that is what Stravinsky represents."

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Amber Hurdle

"Music is healing and soothing. It is the universal language of kindness and love."

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Amber Hurdle

"Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish."

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Amber Hurdle

"There's so much excellent new music around that I can't afford to buy it all and I haven't the time to review as much as I'd like. I can't remember a better time to be a musician or to listen to music!"

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Amber Hurdle

"Music is more emotional than prose, more revolutionary than poetry. I'm not saying I've got the answers, just a of questions that I don't hear other artists asking."

Explore more quotes by Luc Ferrari

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Luc Ferrari
"Well, first I studied piano. I wasn't very satisfied because I though my teachers were dumb... and repressive."
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Luc Ferrari
"I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s."
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Luc Ferrari
"I think I came across Cecil Taylor a bit later, in 65 or 66. That really impressed me - Cecil Taylor is an amazing character... Both his music and the way he approaches the instrument are astonishing."
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Luc Ferrari
"When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them."
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Luc Ferrari
"I have problems with machines which aren't gestural."
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Luc Ferrari
"So the ideology was that: use sounds as instruments, as sounds on tape, without the causality. It was no longer a clarinet or a spring or a piano, but a sound with a form, a development, a life of its own."
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Luc Ferrari
"Boulez seemed to me to be a guy who wrote laws. Like a company lawyer."
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Luc Ferrari
"Whereas Schaeffer and Henry were working like samplers, their idea was to capture those sounds which couldn't be serially calibrated because they were too complex in character."
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Luc Ferrari
"I wanted to play piano, and that slid quickly into writing - it wasn't enough to play other people's notes: I had to write notes too."
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Luc Ferrari
"My sisters were going out with artists and poets, and eventually it was the creative world which attracted me."
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