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"There is the staircase,there is the sun.There is the kitchen,the plate with toast and strawberry jam,your subterfuge,your ordinary mirage.You stand red-handed.You want to wash yourself in earth, in rocks and grassWhat are you supposed to dowith all this loss?In the daylight we knowwhat's gone is gone,but at night it's different.Nothing gets finished,not dying, not mourning;the dead repeat themselves, like clumsy drunkslurching sideways through the doorswe open to them in sleep;these slurred guests, never entirely welcome,even those we have loved the most,especially those we have loved the most,returning from where we shoved themaway too quickly:from under the ground, from under the water,they clutch at us, they clutch at us,we won't let go."
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Exlpore more Grief quotes
"I saw her tonight. I didn't mean to and I wasn't prepared for it.I came across her sweet smiling face and I had no choice but to be confronted with all the emotions and memories I associated with her.It brought me back to this past summer when she passed from this world into the next and how I watched the minutes in the day pass and felt the sorrow of the approaching sunset knowing that darkness would soon follow.There is something profound about the first night after someone you love dies.Seeing her again and mourning the loss of her anew reminded me that we keep too much to ourselves and we let people go without them ever knowing how much they touched us, intrigued us, taught us, or moved us.I'm a firm believer in actions doing the telling, but people need to hear it as well."
"She cries quietly, her shoulders heaving up and down, not the kind of loud sobbing that the women Chika knows do, the kind that screams Hold me and comfort me because I cannot deal with this alone. The woman's crying is private, as though she is carrying out a necessary ritual that involves no one else."
Explore more quotes by Margaret Atwood
"With shrunken fingerswe ate our oranges and bread,shivering in the parked car;though we know we had neverbeen there before,we knew we had been there before."
"And if I talk to him, I'll say something wrong, give something away. I can feel it coming, a betrayal of myself."
"Her face is silting up, like a pond; layers are accumulating. Every once in a while, when she can afford the time, she spends a few days at a spa north of the city, drinking vegetable juice and having ultrasound treatments, in search of her original face, the one she knows is under there somewhere; she comes back feeling toned up and virtuous, and hungry."
"How could I be sleeping with this particular man.... Surely only true love could justify my lack of taste."
"If you worked out enough, maybe the man would too. Maybe you would be able to work it out together, as if the two of you were a puzzle that could be solved; otherwise, one of you, most likely the man, taking his addictive body with him and leaving you with bad withdrawal, which you could counteract by exercise. If you didn't work it out it was because one of you had the wrong attitude."
"One of the gravestones in the cemetery near the earliest church has an anchor on it and an hourglass, and the words In Hope.In Hope. Why did they put that above a dead person? Was it the corpse hoping, or those still alive?"
"There were places you didn't want to walk, precautions you took that had to do with locks on windows and doors, drawing the curtains, leaving on lights. These things you did were like prayers; you did them and you hoped they would save you. And for the most part they did. Or something did; you could tell by the fact that you were still alive."
"I tried to visualize my jealousy as a yellowy-brown cloud boiling around inside me, then going out through my nose like smoke and turning into a stone and falling down into the ground. That did work a little. But in my visualization a plant covered with poison berries would grow out of the stone, whether I wanted it to or not."
"The Eskimos had fifty-two names for snow because it was important to them: there ought to be as many for love."
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