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"I was making films when I was about 12 years old - Super-8 films."
Old
"I went out to some advertising agencies and asked if I could do anything."
Advertising
"This was in '79. I got pretty restless there, sitting around with a lot of people sitting around smoking cigarettes and talking about films, but nobody really doing anything."
People
"Eventually I did that, but it took a lot of twists and turns, and there were a year or two there where I was living with no money at all - no home, no car, no nothing. I was living in somebody's garage in Los Angeles at that point - for a year."
Money
"You want to do something that shows some type individuality and talent and imagination - at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent."
Experience
"My very, very first professional job was when I was 19 years old - I got a job doing an educational industrial film on Shell Motor Oil's oil products. I really put my heart into it - I wrote a script for it, I did a lot of research."
Heart
"I loved cutting together simple commercials about margarine or soft drinks - all kinds of silly products - but I tried to make the commercials different."
Art
"Eventually, in '84, we made a film for a little over a million dollars - with American actors that was shot in English - that was shown in Finland A little action film called Born American."
Action
"I loved movies and went to see every movie I could in Finland."
Movies
"It proved to be pretty impossible to get funds for a feature film in Finland. It's still small, but the film industry was miniscule at that point in the early '80s."
Film
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"My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture."
Author Name
Personal Development
"Before I started doing the film and when I found out I was going to be doing it, I just decided to pump up on the whole cardio stuff. Just in terms of stamina."
Author Name
Personal Development
"It's never a script that makes me decide to accept a film or not."
Author Name
Personal Development
"If you do two versions of a film, they should be identical. With the same frames and settings."
Author Name
Personal Development
"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."
Author Name
Personal Development
"No place is boring, if you've had a good night's sleep and have a pocket full of unexposed film."
Author Name
Personal Development
"My principal job is to make interesting and entertaining films, and I'm not proud of which format or which particular technique I use. I just wanted the film to look good."
Author Name
Personal Development
"I can't do a film after having debated it. I am unable to do a film while discussing it with my team. I issue directives. I do not achieve it otherwise."
Author Name
Personal Development
"I had lived in Fukuoka during the mid 1990s, and I was a volunteer with the Fukuoka Asian Film Festival."
Author Name
Personal Development
"I think the original Matrix was really incredible. It was so original and it did so many innovative things with film. It was a much bigger film. Bound was just a smaller film. It was kind of like an old noir film."
Author Name
Personal Development
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