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"My mind does not easily accept stately historical processions."
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"They were obviously headstones of graves, though the graves themselves no longer existed as either mounds or depressions; the years had leveled all. Scattered here and there, more massive blocks showed where some pompous or ambitious monument had once flung its feeble defiance at oblivion."
"There was something melancholic about that symbol of their nation's promise of freedom, a bell with a chipped mouth and cleft body."
"An important part of what the state does is preserving its history."
"That men do not learn very much from the lessons of history is the most important of all the lessons of history."
Explore more quotes by Zadie Smith
"When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception."
"It starts innocently. Casually. You turn up at the annual spring fair full of beans, help with the raffle tickets (because the pretty red-haired music teacher asks you to) and win a bottle of whiskey (all school raffles are fixed), and, before you know where you are, you're turning up at the weekly school council meetings, organizing concerts, discussing plans for a new music department, donating funds for the rejuvenation of the water fountains-you're implicated in the school, you're involved in it. Sooner or later you stop dropping your children at the school gates. You start following them in."
"The wind picked up, shaking the trees below. She had the sense of being in the country. In the country, if a woman could not face her children, or her friends, or her family " if she were covered in shame " she would probably only need to lay herself down in a field and take her leave by merging, first with the grass underneath her, then with the mulch under that. A city child, Natalie Blake had always been naive about country matters. Still, when it came to the city, she was not mistaken. Here nothing less than a break " a sudden and total rupture " would do."
"Mothers are urgently trying to tell something to their daughters, and this urgency is precisely what repels their daughters, forcing them to turn away. Mothers are left stranded, madly holding a lump of London clay, some grass, some white tubers, a dandelion, a fat worm passing the world through itself."
"Girls either wanted him or wanted to improve him, but most often a combination of the two. They wanted to improve him until he justified the amount they wanted him."
"To her credit, though, Trace didn't lose her famous temper, not at that moment. At eighteen she was already expert at the older woman's art of fermenting rage, conserving it, for later use."
"Those are my bougainvillea-I got Victoria to plant them today, but I don;t know if they will survive. But Right now they have the appearance of survival, which is almost the same thing."
"There were good and bad kinds of weakness in men, and she had come to the conclusion that the key was to know which kind you were dealing with."
"Last year, when Zora was a freshman, sophomores had seemed altogether a different kind of human: so very definite in their tastes and opinions, in ther loves and ideas. Zora woke up this morning hopeful that a transformation of this kind might have visited her in the night, but, finding it hadn't, she did what girls generally do when they don't feel the part: she dressed it instead."
"Right. I look fine. Except I don't,' said Zora, tugging sadly at her man's nightshirt. This was why Kiki had dreaded having girls: she knew she wouldn't be able to protect them from self-disgust. To that end she had tried banning television in the early years, and never had a lipstick or a woman's magazine crossed the threshold of the Belsey home to Kiki's knowledge, but these and other precautionary measures had made no difference. It was in the air, or so it seemed to Kiki, this hatred of women and their bodies-- it seeped in with every draught in the house; people brought it home on their shoes, they breathed it in off their newspapers. There was no way to control it."
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