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"Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'"
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"Worrying about what happened on Monday, or, what might happen on Wednesday, is at the expense of one's Tuesday."

"Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all."

"Time is needed to convert all ideas and added values into the tangible products that benefits the world."

"Opinion is like a pendulum and obeys the same law. If it goes past the centre of gravity on one side, it must go a like distance on the other; and it is only after a certain time that it finds the true point at which it can remain at rest."

"I'm proud of being part Cherokee, and I think it's time all us Indians felt the same way."

"Time is like money, the less we have of it to spare the further we make it go."

"Many works of the ancients have become fragments. Many works of the moderns are fragments at the time of their origin."
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"Whoever thinks of going to bed before twelve o'clock is a scoundrel."
Explore more quotes by John Lasseter

"Animation is the only thing I ever wanted to do in my whole life. I have no desire for live-action or anything else."

"If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story."

"Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking."

"We make the kind of movies we like to watch. I love to laugh. I love to be amazed by how beautiful it is. But I also love to be moved to tears. There's lots of heart in our films."

"Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it."

"There is such amazing talent at Disney. My job is 100% creative, and I am very excited to creatively lead them."

"I do what I do because of Walt Disney - his films and his theme park and his characters and his joy in entertaining."

"I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second."
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