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Suzanne Collins

"We hand the meat over to Greasy Sae in the kitchen. She likes District 13 well enough, even though she thinks the cooks are somewhat lacking in imagination. But a woman who came up with a palatable wild dog and rhubarb stew is bound to feel as if her hands are tied here."

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"We hand the meat over to Greasy Sae in the kitchen. She likes District 13 well enough, even though she thinks the cooks are somewhat lacking in imagination. But a woman who came up with a palatable wild dog and rhubarb stew is bound to feel as if her hands are tied here."

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Amber Hurdle

"Convert your time into useful assets."

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Amber Hurdle

"Anybody have any money?Frank checked his pockets. "Three denarii from Camp Jupiter. Five dollars Canadian.Hedge patted his gym shorts and pulled out what he found. "Three quarters, two dimes, a rubber band and-score! A piece of celery.He started munching on the celery, eyeing the change and the rubber band like they might be next."

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Amber Hurdle

"You must learn to see everything around yourself as your resources, your opportunities and turn them into your weapons so that everything works in your favor and helps to achieve your goal."

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Amber Hurdle

"You have everything already inside you necessary for the true response to any challenge you will meet. Usually, it's just a question of assembling some elements in a way that you didn't think to do before (which brings us to intuition)."

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Amber Hurdle

"A wise man is someone who knows how to convert obstacles into resources."

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Amber Hurdle

"If you cannot sit on a throne like a king, seize, like a tent-pitcher, the rope of the Royal tent."

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Amber Hurdle

"Prideep pointed to the flames of paraffin lamps as they came alive in the distance and cackled in awe at the experience. I was to discover that making tasty soup with one carrot, ten peas and a little dishwater, was his greatest skill. One wondered what the man would be capable of creating with a blender and a non-stick frying-pan."

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Amber Hurdle

"You must learn to see everything around yourself as a resources, your opportunities, and turn them into your weapons to get them working in your favor, in order to achieve your goal."

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Amber Hurdle

"A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art."

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Suzanne Collins
"No. Now, shut up and eat your pears."
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Suzanne Collins
"One of Coin's men lays a hand on my arm. Its not an aggressive move, really, but after the arena's I react defensively to any unfamiliar touch. I jerk my arm free and take off running down the halls. My mind does a quick inventory of my odd little hiding places and i wind up in the supply closet, curled up against a crate of chalk."
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Suzanne Collins
"If you had hope, maybe you could find a way to make things change,. Because if you thought about it, there were so many reasons to try."
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Suzanne Collins
"Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do. Especially if the target is unprepared."
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Suzanne Collins
"That what?" "That I knew i misjudged you. That you love him. I'm not saying In what way. Maybe you don't know yourself. But anyone paying attention could see how much you care about him," he says gently."
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Suzanne Collins
"Only.. I want to do die as myself."
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Suzanne Collins
"Yes, they have to have a victor. Without a victor, the whole thing would blow up in the Gamemakers' faces. They'd have failed the Capitol. Might possibly even be executed, slowly and painfully, while the cameras broadcast it to every screen in the country."
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Suzanne Collins
"Gale is mine. I am his. Anything else is unthinkable. Why did it take him being whipped within an inch of his life to see it?"
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Suzanne Collins
"She's really gone, then. The little girl with the back of her shirt sticking out like a duck tail, the one who needed help reaching the dishes, and who begged to see the frosted cakes in the bakery window. Time and tragedy have forced her to grow too quickly, at least for my taste, into a young woman who stitches beeding wounds and knows our mother can hear only so much."
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Suzanne Collins
"What did Finnick Odair want? he asks.I turn and put my lips close to Peeta's and drop my eyelids in imitation of Finnick. "He offered me sugar and wanted to know all my secrets, I say in my best seductive voice.Peeta laughs. "Ugh. Not really."Really, I say. "I'll tell you more when my skin stops crawling."
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