Susan Sontag, the American author, essayist, and cultural critic, left an indelible mark on the world of letters with her incisive intellect and fearless exploration of art, politics, and society. Through her essays and novels, Sontag challenged conventions and pushed boundaries, grappling with questions of morality, aesthetics, and the human condition. Her profound insights and eloquent prose continue to inspire readers and thinkers around the world, cementing her legacy as one of the most influential intellectuals of the 20th century.
"I'm now writing out of rage — and I feel a kind of Nietzschean elation. It's tonic. I roar with laughter. I want to denounce everybody, tell everybody off. I go to my typewriter as I might go to my machine gun. But I'm safe. I don't have to face the consequences of 'real' aggressivity. I'm sending out colis piégés ['booby-trapped packages'] to the world."
"It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin."
"To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That's what lasts. That's what continues to feed people and give them an idea of something better."
"Self-respect. It would make me lovable. And it's the secret to good sex."
"Life is not about significant details, illuminated a flash, fixed forever. Photographs are."
"One can feel obliged to look at phototgraphs that record great cruelties and crimes. One should feel obliged to think about what it means to look at them, about the capacity actually to assimilate what they show. Not all reactions to these pictures are under the supervision of reason and conscience."
"Twentieth century women's fashions (with their cult of thinness) are the last stronghold of the metaphors associated with the romanticizing of TB in the late eighteenth and early nineteenth centuries."
"Depression is melancholy minus its charms - the animation, the fits."
"The best criticism, and it is uncommon, is of this sort that dissolves considerations of content into those of form."
"No "we" should be taken for granted when the subject is looking at other people's pain."
"How much self-love comes in the guise of selfless devotion!"