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"Right now, I have no idea what I will write or if I will write again."
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"Right now, I have no idea what I will write or if I will write again."

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29
"That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes."
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"That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes."

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29
"You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel."
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"You're getting everyone's point of view at the same time, which, for me, is the perfect state for a novel: a cubist state, the cubist novel."

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"You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else."
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"You don't want to write your own opinion, you don't want to just represent yourself, but represent yourself through someone else."

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"I'm a Canadian citizen. But I always want to feel at home in Sri Lanka. I'm a member of both countries."
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"I'm a Canadian citizen. But I always want to feel at home in Sri Lanka. I'm a member of both countries."

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27
"You want to suggest something new, but at the same time, resolve the drama of the action in the novel."
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"You want to suggest something new, but at the same time, resolve the drama of the action in the novel."

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"The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town."
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"The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town."

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"I see the poem or the novel ending with an open door."
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"I see the poem or the novel ending with an open door."

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37
"The past is still, for us, a place that is not safely settled."
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"The past is still, for us, a place that is not safely settled."

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23
"It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing."
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"It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing."

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"Truth, at the wrong time, can be dangerous."
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"Truth, at the wrong time, can be dangerous."

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"When you're writing, it's as if you're within a kind of closed world."
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"When you're writing, it's as if you're within a kind of closed world."

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"In the book the relationship with Katharine and Almasy is sort of only in the patient's mind."
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"In the book the relationship with Katharine and Almasy is sort of only in the patient's mind."

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"Research can be a big clunker. It's difficult to know how you can make the historical light."
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"Research can be a big clunker. It's difficult to know how you can make the historical light."

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38
"It's an odd state to be in, blowing the whistle on your home country."
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"It's an odd state to be in, blowing the whistle on your home country."

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29
"I don't see novels ending with any real sense of closure."
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"I don't see novels ending with any real sense of closure."

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"It's a responsibility of the writer to get the reader out of the story somehow."
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"It's a responsibility of the writer to get the reader out of the story somehow."

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"A writer uses a pen instead of a scalpel or blow torch."
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"A writer uses a pen instead of a scalpel or blow torch."

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"As a writer, one is busy with archaeology."
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"As a writer, one is busy with archaeology."

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"It doubles your perception, to write from the point of view of someone you're not."
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"It doubles your perception, to write from the point of view of someone you're not."

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