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Meredith Monk is an American composer, performer, and director known for her innovative work in experimental music and performance art. Her compositions often blend elements of vocal techniques, movement, and visual art, creating unique and immersive experiences. Monk's pioneering contributions to the fields of avant-garde and multidisciplinary performance have earned her critical acclaim and a lasting influence in contemporary art.
"I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce."
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"I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce."

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"That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something."
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"That inner voice has both gentleness and clarity. So to get to authenticity, you really keep going down to the bone, to the honesty, and the inevitability of something."

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"Yes, the more I go through life I realize that there's really no separation between practice and art at all. The two things more and more become one rather than two different aspects of my life."
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"Yes, the more I go through life I realize that there's really no separation between practice and art at all. The two things more and more become one rather than two different aspects of my life."

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"Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment just doesn't work."
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"Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment just doesn't work."

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"I somehow sensed when I was a teenager that I wanted to do my own work. I was quite clear that I didn't want to be an interpretative kind of artist. I had an intuition about wanting to create my own form, in one way or another, whatever that would be."
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"I somehow sensed when I was a teenager that I wanted to do my own work. I was quite clear that I didn't want to be an interpretative kind of artist. I had an intuition about wanting to create my own form, in one way or another, whatever that would be."

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