Maya Lin is an American architect and artist renowned for her design of the Vietnam Veterans Memorial in Washington, D.C. Her work is celebrated for its simplicity, elegance, and profound emotional impact. Lin's innovative use of form and space has extended beyond the memorial, with notable projects including the Civil Rights Memorial and the Museum of Chinese in America. Her designs often reflect a deep sensitivity to historical and cultural contexts.
"I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them."
"OK, it was black, it was below grade, I was female, Asian American, young, too young to have served. Yet I think none of the opposition in that sense hurt me."
"The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical."
"Our parents decided not to teach us Chinese. It was an era when they felt we would be better off if we didn't have that complication."
"I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character."
"I went through withdrawal when I got out of graduate school. It's what you learn, what you think. That's all that counts."
"I loved logic, math, computer programming. I loved systems and logic approaches. And so I just figured architecture is this perfect combination."
"Sometimes you have to stop thinking. Sometimes you shut down completely. I think that's true in any creative field."
"Nothing is ever guaranteed, and all that came before doesn't predicate what you might do next."
"My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground."
"You should be having more fun in high school, exploring things because you want to explore them and learning because you love learning-not worrying about competition."
"Growing up, I thought I was white. It didn't occur to me I was Asian-American until I was studying abroad in Denmark and there was a little bit of prejudice."
"In art or architecture your project is only done when you say it's done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures."
"Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist."
"I had very few friends. We always ate dinner with our parents. We didn't want to go out. American adolescence was a lot wilder than I would have felt comfortable with."
"You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art."
"Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture."