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Jean-Jacques Annaud, a visionary French director, mesmerized audiences with his epic cinematic visions and bold storytelling. His acclaimed films, including "The Name of the Rose" and "Seven Years in Tibet," are celebrated for their visual splendor, narrative depth, and thematic complexity, earning him international acclaim as a master filmmaker.
"The art of motion pictures is pictorial and language comes a distant second."
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"The art of motion pictures is pictorial and language comes a distant second."

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"My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality."
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"My way of remaining French was the financing scheme I used for Quest for Fire, with Fox funds, since it started as a 100% American production. The film was not in French and yet was French in style, reflecting my personality."

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"When Americans shoot movies they aim at the entire planet. When the French make movies, they aim at Paris."
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"When Americans shoot movies they aim at the entire planet. When the French make movies, they aim at Paris."

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"War scenes are less difficult than love scenes."
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"War scenes are less difficult than love scenes."

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"I had to choose between American and British actors, and it didn't take me more than a second to decide: Russians are Europeans and should be played by other Europeans."
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"I had to choose between American and British actors, and it didn't take me more than a second to decide: Russians are Europeans and should be played by other Europeans."

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"I think it is a mistake to identify a movie according to its language, as if movies were literature."
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"I think it is a mistake to identify a movie according to its language, as if movies were literature."

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"When a French book becomes an international hit it is because of the author and not because of the language. The same goes for movies."
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"When a French book becomes an international hit it is because of the author and not because of the language. The same goes for movies."

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"I make movies just as painters paint: I work where I can."
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"I make movies just as painters paint: I work where I can."

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"If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction."
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"If you make a movie about Elizabeth I, how much of the dialogue is her real words? Audiences know when they go see a movie that it is fiction."

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"Today's cinema is a global art form, it is impossible to make movies for a market the size of France, representing no more than 4% of the world's total."
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"Today's cinema is a global art form, it is impossible to make movies for a market the size of France, representing no more than 4% of the world's total."

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"To do the writing, I have to have time to do research."
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"To do the writing, I have to have time to do research."

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"The French have got to understand that a film is so expensive that it can no longer afford to be regional or even national in scope."
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"The French have got to understand that a film is so expensive that it can no longer afford to be regional or even national in scope."

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"British actors behave like Europeans; they are also extremely well trained."
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"British actors behave like Europeans; they are also extremely well trained."

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"The world distribution of French movies is a laughing matter. That is a fact."
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"The world distribution of French movies is a laughing matter. That is a fact."

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"America is the only country capable of producing national movies: its culture has become a global culture."
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"America is the only country capable of producing national movies: its culture has become a global culture."

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"When Picasso painted in Paris, was he a Spanish or a French painter? It does not matter, he was Picasso, whatever the influences surrounding him. He simply chose Paris because it was the ideal place for him to sell his creation."
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"When Picasso painted in Paris, was he a Spanish or a French painter? It does not matter, he was Picasso, whatever the influences surrounding him. He simply chose Paris because it was the ideal place for him to sell his creation."

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