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George Grosz, a German artist and prominent figure in the Dada and New Objectivity movements, used his art as a tool for social and political critique. His satirical drawings and paintings exposed the corruption and decadence of Weimar-era Germany, earning him both acclaim and controversy for his unflinching portrayal of society's ills.
"I had grown up in a humanist atmosphere, and war to me was never anything but horror, mutilation and senseless destruction, and I knew that many great and wise people felt the same way about it."
"The cult of individuality and personality, which promotes painters and poets only to promote itself, is really a business. The greater the 'genius' of the personage, the greater the profit."
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