George Raymond Richard Martin (born September 20, 1948) is an American writer of fantasy and science fiction, best known for A Song of Ice and Fire, the epic saga adapted into Game of Thrones and House of the Dragon. Growing up in modest means in Bayonne, New Jersey, he combined early work in journalism with a love of speculative fiction and historical depth. With multiple Hugo and Nebula awards, he has shaped modern fantasy by melding complex characters, political intrigue, and moral ambiguity. His storytelling reaches a global audience, inspiring readers and creators alike to imagine richly, write boldly, and believe in worlds beyond ours.
"Yet even so, Jon Snow was not sorry he had come. There were wonders here as well. He had seen sunlight flashing on icy thin waterfalls as they plunged over the lips of sheer stone cliffs, and a mountain meadow full of autumn wildflowers, blue coldsnaps and bright scarlet frostfires and stands of piper's grass in russet and gold. He had peered down ravines so deep and black they seemed certain to end in some hell, and he had ridden his garron over a wind-eaten bridge of natural stone with nothing but sky to either side. Eagles nested in the heights and came down to hunt the valleys, circling effortlessly on great blue-grey wings that seemed almost part of the sky."
"Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it."
"His long wait is almost done. I am sending Balon Swann to Sunspear, to deliver him the head of Gregor Clegane. Ser Balon would have another task as well, but that part was best left unsaid."Ah. Ser Harys Swyft fumbled at his funny little beard with thumb and forefinger. "He is dead then? Ser Gregor?"I would think so, my lord, Aurane Waters said dryly. "I am told that removing the head from the body is often mortal."
"I prefer to work with grey characters rather than black and white."
"The strongest trees are rooted in the dark places of the earth. Darkness will be your cloak, your shield, your mother's milk. Darkness will make you strong."
"Every child knows its mother, Dany thought. When the seas go dry and the mountains blow in the wind like leaves."
"Yet the higher a man climbs the further he has to fall."
"The enemy of my enemy is my friend, men said, but the enemy of my friend is my enemy."
"...his voice was like the cracking of ice on a winter lake, and the words were mocking."
"Oh, my sweet summer child," Old Nan said quietly, "what do you know of fear?Fear is for the winter, my little lord, when the snows fall a hundred feetdeep and the ice wind comes howling out of the north. Fear is for the longnight, when the sun hides its face for years at a time, and little childrenare born and live and die all in darkness while the direwolves grow gaunt andhungry, and the white walkers move through the woods."
"Free folk don't follow names, or little cloth animals sewn on a tunic," the King-Beyond-the-Wall had told him. "They won't dance for coins, they don't care how your style yourself or what that chain of office means or who your grandsire was. They follow strength. They follow the man."
"My own heroes are the dreamers, those men and women who tried to make the world a better place than when they found it, whether in small ways or great ones. Some succeeded, some failed, most had mixed results... but it is the effort that's heroic, as I see it. Win or lose, I admire those who fight the good fight."
"For men, the answer was always the same and never farther away than the nearest sword. For a woman, a mother, the way was stonier and harder to know."
"Brick and blood built Astapor, and brick and blood her people."
"Jaime gave her [Brienne] a hard smile. "See, wench? We know each other too well."
"Time is different for a tree than for a man. Sun and soil and water, these are the things a weirwood understands, not days and years and centuries. For men, time is a river. We are trapped in its flow, hurtling from past to present, always in the same direction. The lives of trees are different. They root and grow and die in one place, and that river does not move them. The oak is the acorn, the acorn is the oak."
"Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end."
"Sometimes the storm winds blow so strong a man has no choice but to furl his sails."
"Words are wind, and the wind from Manderly's mouth means no more than the wind escaping his bottom."
"Now, how do you suppose this queen will react when you turn up with your begging bowl in hand and say, 'Good morrow to you, Auntie. I am your nephew, Aegon, returned from the dead. I've been hiding on a poleboat all my life, but now I've washed the blue dye from my hair and I'd like a dragon, please...and oh, did I mention, my claim to the Iron Throne is stronger than your own?"
"Why do the Gods make kings and queens if not to protect the ones who can't protect themselves?"