Fernando Pessoa, the enigmatic Portuguese author, explored themes of identity, existentialism, and the nature of reality through his prolific literary works. His heteronyms, distinct literary personas he created, allowed him to explore a multitude of perspectives, leaving behind a rich and complex body of literature.
"Through an experience that simultaneously involved my sensibility and intelligence, I realized early on that the imaginative life, however morbid it might seem, is the one that suits temperaments like mine. The fictions of my imagination (as it later developed) may weary me, but they don't hurt or humiliate. Impossible lovers can't cheat on us, or smile at us falsely, or be calculating in their caresses. They never forsake us, and they don't die or disappear. --The book of Disquiet."
"In this world we're all travelers on the same ship that has set sail from one unknown port en route to another equally foreign to us, we should treat each other therefore with the friendliness due to fellow travelers."
"To need to dominate others is to need others. The commander is dependent."
"To have touched the feet of Christ is no excuse for mistakes in punctuation.If a man writes well only when he's drunk, then I'll tell him: Get drunk. And if he says that it's bad for his liver, I'll answer: What's your liver? A dead thing that lives while you live, whereas the poems you write live without while."
"I suffer from life and from other people. I can't look at reality face to face. Even the sun discourages and depresses me. Only at night and all alone, withdrawn, forgotten and lost, with no connection to anything real or useful - only then do I find myself and feel comforted."
"I'm almost convinced that I'm never awake. I'm not sure if I'm not in fact dreaming when I live, and living when I dream, or if dreaming and living are for me intersected, intermingled things that together form my conscious self."
"And suddenly, from behind me, I hear the metaphysically abrupt arrival of the office boy. I feel like I could kill him for barging in on what I wasn't thinking. I turn around and look at him with a silence full of hatred, tense with latent homicide, my mind already hearing the voice he'll use to tell me something or other. He smiles from the other side of the room and says 'Good afternoon' in a loud voice. I hate him like the universe. My eyes are sore from imagining."
"A being who, as I grew older, lost imagination, emotion, a type of intelligence, a way of feeling things - all that which, while it made me sorry, did not horrify me. But what am I experiencing when I read myself as if I were someone else? On which bank am I standing if I see myself in the depths?"
"To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming - like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky."
"Everything stated or expressed by man is a note in the margin of a completely erased text. From what's in the note we can extract the gist of what must have been in the text, but there's always a doubt, and the possible meanings are many."
"I have to choose what I detest - either dreaming which my intelligence hates, or action, which my sensibility loathes; either action, for which I wasn't born, or dreaming, for which no one was born. Detesting both, I choose neither; but since I must on occasion either dream or act, I mix the two things together."
"Yes it's me, I myself, what I turned out to be, ( ) I'm the one here in myself, it's me. ( ) Whatever I was, whatever I wasn't-it's all in what I am. Whatever I wanted, whatever I didn't want-all of this has shaped me. Whatever I loved, or stopped loving-in me it's the same nostalgia."
"Is it that my habit of placing myself in the souls of other people makes me see myself as others see or would see me if they noticed my presence there? It is. And once I've perceived what they would feel about me if they knew me, it is as if they were feeling and expressing it at that very moment. It is a torture to me to live with other people. Then there are those who live inside me. Even when removed from life, I'm forced to live with them. Alone, I am hemmed in by multitudes. I have nowhere to flee to, unless I were to flee myself."
"The feelings that hurt most, the emotions that sting most, are those that are absurd - The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world's existence. All these half-tones of the soul's consciousness create in us a painful landscape, an eternal sunset of what we are."
"Everything is absurd.1 man spends his life earning money which he then saves even though he has no children 2 leave it 2. another puts all his efforts into becoming famous so that he'll b remembered once dead, yet he doesn't believe in a survival of the soul that would give him knowledge of that fame. yet another wears himself out looking 4 things he doesn't even like."
"Without madness what is manBut a wholesome beast,Postponed corpse that begets?"
"Everything that happens where we live happens in us. Everything that ceases in what we see ceases in us. Everything that has been, if we saw it when it was, was taken from us when it went away."
"The Complete Work is essentially dramatic, thought it takes different forms - prose passages in this first volume, poems and philosophies in other volumes. It's the product of the temperament I've been blessed or cursed with - I'm not sure which. All I know is that the author of these lines (I'm not sure if also of these books) has never had just one personality, and has never thought or felt except dramatically - that is, through invented persons, or personalities, who are more capable than he of feeling what's to be felt."
"The cause of my profound sense of incompatibility with others is, I believe, that most people think with their feelings, whereas I feel with my thoughts.For the ordinary man, to feel is to live, and to think is to know how to live. For me, to think is to live, and to feel is merely food for thought."
"In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream."
"I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing: it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think, I finish because I don't have the courage to quit. This book is my cowardice."
"Sickness occurs when we desire what we need and what's desirable with equal intensity, suffering our lack of perfection as if we were suffering for lack of bread."
"I'm curious about everyone, hungry for everything, greedy for all ideas. My awareness that not everything can be seen, not everything read and not everything thought torments me like the loss of ..... But I don't see with fixed attention, I don't read with great care, and I don't think with continuity. I'm an ardent and inconsequential dilettante in everything. My soul is too weak to sustain the force of its own enthusiasm. Made out of ruins of the unfinished, I'm definable as a landscape of resignations."
"I had the same sensation as when we watch someone sleep. When asleep we all become children again. Perhaps because in the state of slumber we can do no wrong and are unconscious of life, the greatest criminal and most self- absorbed egotist are holy, by a natural magic, as long as they're sleeping. For me there's no discernible difference between killing a child and killing a sleeping man."
"My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool."
"It is a rule of life that we can and must learn from everyone. There are serious matters in life to be learned from charlatans and bandits, there are philosophies to be gleaned from fools, real lessons of fortitude that come to us by chance and from those who depend on chance. Everything contains everything else."
"No intelligent idea can gain general acceptance unless some stupidity is mixed in with it."
"What could anyone confess that would be worth anything or serve any useful purpose? What has happened to us has either happened to everyone or to us alone, if the former it has no novelty value and if the latter it will be incomprehensible."
"The rustic, the reader of novels, the pure ascetic: these three are truly happy men."
"I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, than with many supposedly real people with the metaphysical absurdity known as 'flesh and blood'. In fact, 'flesh and blood' describes them very well: they resemble cuts of meat laid out on the butcher's marble slab, dead creatures bleeding as though still alive."
"Giving importance to what we think because we thought it, taking our own selves not only (to quote the Greek philosopher) as the measure of all things but as their norm or standard, we create in ourselves, if not an interpretation, at least a criticism of the universe, which we don't even know and therefore cannot criticize. The giddiest, most weak-minded of us then promote that criticism to an interpretation that's superimposed, like a hallucination; induced rather than deduced. It's a hallucination in the strict sense, being an illusion based on something only dimly seen."
"Like every dreamer, I've always felt that my calling was to create. Since I've never been able to make an effort or carry out an intention, creation for me has always meant dreaming, wanting or desiring, and action has meant desiring of the acts I wish I could perform."
"That is how I experience life, as apocalypse and cataclysm. Each day brings an increasing inability in myself to make the smallest gesture, even to imagine myself confronting clear, real situations.The presence of others - always such an unexpected event for the soul - grows daily more painful and distressing. Talking to others makes me shudder. If they show any interest in me, I flee. If they look at me, I tremble.I am constantly on the defensive. Life and other people bruise me. I can't look reality in the eye. The sun itself leaves me feeling discouraged and desolate."
"I look at myself but I'm missing. I know myself: it's not me."
"I've witnessed, incognito, the gradual collapse of my life, the slow foundering of all I wanted to be. I can say, with a truth that needs no flowers to show it's dead, that there's nothing I've wanted - and nothing in which I've placed, even for a moment, the dream of only that moment - that hasn't disintegrated below my windows like a clod of dirt that resembled stone until it fell from a flowerpot on a high balcony. It would even seem that Fate has always tried to make me love or want things just so that it could show me, on the very next day, that I didn't have and could never have them."
"What can I expect from myself? My sensation in all their horrible acuity, and a profound awareness of feeling. A sharp mind that only destroys me, and an unusual capacity for dreaming to keep me entertained. A dead will and a reflection that cradles it, like a living child."