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"Tell me, enigmatical man, whom do you love best, your father,Your mother, your sister, or your brother?I have neither father, nor mother, nor sister, nor brother.Your friends?Now you use a word whose meaning I have never known.Your country?I do not know in what latitude it lies.Beauty?I could indeed love her, Goddess and Immortal.Gold?I hate it as you hate God.Then, what do you love, extraordinary stranger?I love the clouds the clouds that pass up thereUp there the wonderful clouds!"
"He who looks through an open window sees fewer things than he who looks through a closed window."
"In literature as in ethics, there is danger, as well as glory, in being subtle. Aristocracy isolates us."
"Genius is nothing more nor less than childhood recaptured at will."
"The insatiable thirst for everything which lies beyond, and which life reveals, is the most living proof of our immortality."
"One should always be drunk. That's all that matters...But with what? With wine, with poetry, or with virtue, as you chose. But get drunk."
"Genius is no more than childhood recaptured at will, childhood equipped now with man's physical means to express itself, and with the analytical mind that enables it to bring order into the sum of experience, involuntarily amassed."
"Common sense tells us that the things of the earth exist only a little, and that true reality is only in dreams."
"The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart)."
"What strange phenomena we find in a great city, all we need do is stroll about with our eyes open. Life swarms with innocent monsters."
"To fornicate is to aspire to enter into another, the artist never emerges from himself."
"How many years of fatigue and punishment it takes to learn the simple truth that work that disagreeable thing is the only way of not suffering in life or at all events of suffering less."
"Looking from outside into an open window one never sees as much as when one looks through a closed window. There is nothing more profound, more mysterious, more pregnant, more insidious, more dazzling than a window lighted by a single candle. What one can see out in the sunlight is always less interesting than what goes on behind a windowpane. In that black or luminous square life lives, life dreams, life suffers."
"Ant swarming CityCity full of dreamsWhere in broad day the specter tugs your sleeve."
"I walk alone, absorbed in my fantastic play, - Fencing with rhymes, which, parrying nimbly, back away; Tripping on words, as on rough paving in the street, Or bumping into verses I long had dreamed to meet."
"Once someone asked, when I was present, what constituted the greatest pleasure in love. Someone replied, naturally: in receiving. Another: in giving. Someone said: the pleasure of pride! someone else: the ecstasy of humility! All these muckers making like the Imitation of Christ. Finally, an impudent utopian was found who insisted that the greatest pleasure of love was in forming new citizens for the fatherland. Me, I said: what is uniquely, supremely voluptuous about love lies in the certainty of doing evil."
"In putting off what one has to do one runs the risk of never being able to do it."
"I set out to discover the why of it, and to transform my pleasure into knowledge."
"Anybody, providing he knows how to be amusing, has the right to talk about himself."
"Nature is a word, an allegory, a mold, an embossing, if you will."
"Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasé ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days, the region of pure poetry."
"I sit in the sky like a sphinx misunderstood; My heart of snow is wed to the whiteness of swans; I hate the movement that displaces the rigid lines, With lips untaught neither tears nor laughter do I know."