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George Martin

"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."

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"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."

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Amber Hurdle

"My father, Fred Carter, Jr., is definitely an extraordinaire."

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Amber Hurdle

"My father assigned me to keep his scrapbooks. At first I was interested in reading only his rave notices, but I got interested in reading what the critics were saying about whether the play was good or not."

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Amber Hurdle

"My father is an actor, so he brought me into his agency when I was young. It wasn't something I wanted to do until high school, when I started taking theater and really liked it. Then an agent found me and wanted me to come out to Los Angeles and give it a shot. I gave myself six months, but it only took me like a week to get a job."

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Amber Hurdle

"She encouraged any artistic impulse I had, and my father discouraged any artistic impulse I had. They took out their problems with each other on me and my sister."

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Amber Hurdle

"I am blessed to have Mom and Dad."

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Amber Hurdle

"My father was an American who could cuss in Italian and make an aria out of it. It was wonderful to watch. But then again, he was a Gemini. I believe in that stuff."

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Amber Hurdle

"My dad takes care of me as a manager and as a dad. That's his job, you know, to take care of me. He has my best interests at heart."

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Amber Hurdle

"Money stress is what used to remind me of my Dad most."

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Amber Hurdle

"I wanted my children to have the same exposure to the water I had. My strongest memories of Northeast Harbor are going in a small Whaler with my dad, looking for osprey."

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Amber Hurdle

"I think he would have been proud and smiling... when we laid him to rest because his family was together. I think that was a great gift to be able to give Dad at the end."

Explore more quotes by George Martin

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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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