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George Martin

"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."

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"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."

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Asa Don Brown

"To he who avenges a father, nothing is impossible."

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Asa Don Brown

"I used to annoy my father by telling him how much I felt luck was with me."

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Asa Don Brown

"More and more couples are having this negotiation or discussion, but I'm still amazed at the number who aren't and where the cultural norm sort of kicks in and they just assume that mom's got to be the one who stays home, not dad."

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Asa Don Brown

"And my dad wanted me to play the trumpet because that's what he liked. His idol was Louis Armstrong. My dad thought my teeth came together in a way that was perfect for playing the trumpet."

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Asa Don Brown

"My father wasn't a very good lawyer. He thought the law was sacred and something that was meant to help people. He didn't charge people like he should have... which is why I was allowed to play bars and strip joints when I was 14."

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Asa Don Brown

"There were 15 people in the village, including five of us. If my father arrested somebody in the winter, he'd have to wait until the thaw to turn him in."

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Asa Don Brown

"There will always be a father."

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Asa Don Brown

"My earliest acting memory is making up a play for my mom and dad called The Lonesome Baby. I have no idea what The Lonesome Baby was about. I just remember the title. But I'm sure it was an epic."

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Asa Don Brown

"I'm into being a dad, that's where my focus is most of the time. I'm an actor that's my job, but it's not my life. I have a lot of other interests too."

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Asa Don Brown

"My father was the guy on the block who said hi to everyone."

Explore more quotes by George Martin

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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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