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George Martin

"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."

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"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."

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Donna Grant

"To he who avenges a father, nothing is impossible."

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Donna Grant

"I may neither choose who I would, nor refuse who I dislike; so is the will of a living daughter curbed by the will of a dead father."

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Donna Grant

"I used to annoy my father by telling him how much I felt luck was with me."

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Donna Grant

"Dad made it to Gold Shield Detective, so he always busted Robin, my oldest brother, and me. Always got caught, whatever we were doing."

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Donna Grant

"My father, who had previously been a civil engineer, died in the great influenza epidemic of 1918."

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Donna Grant

"I would ask my dad what he did, and he'd say, 'I listen to people's problems.' In some way what he did for a living is in my genes."

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Donna Grant

"My dad? He died when I was 19, which is a bad time for your dad to die, because there's an awful lot of things you have to resolve with your parents past your teens if you've been a difficult teenager."

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Donna Grant

"I'll never forget my father's response when I told him I wanted to be a lawyer. He said, 'If you do this, no man will ever want you.'"

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Donna Grant

"My father was often angry when I was most like him."

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Donna Grant

"My father said, If you want to do acting, you have to be successful, which is a silly thing to say."

Explore more quotes by George Martin

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George Martin
"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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George Martin
"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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George Martin
"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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George Martin
"When you extend life span, that's really something. That's hard to do."
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George Martin
"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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George Martin
"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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