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Flannery O'Connor

"Meeks was telling him about the value of work. He said that it had been his personal experience that if you wanted to get ahead, you had to work. He said this was the law of life and it was no way to get around it because it was inscribed on the human heart like love thy neighbour. He said these two laws were the team that worked together to make the world go round and that any individual who wanted to be a success and win the pursuit of happiness, that was all he needed to know."

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"Meeks was telling him about the value of work. He said that it had been his personal experience that if you wanted to get ahead, you had to work. He said this was the law of life and it was no way to get around it because it was inscribed on the human heart like love thy neighbour. He said these two laws were the team that worked together to make the world go round and that any individual who wanted to be a success and win the pursuit of happiness, that was all he needed to know."

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Amber Hurdle

"Do the good work, with the resources you have."

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Amber Hurdle

"To business that we love we rise betime And go to it with delight."

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Amber Hurdle

"The purpose of work is to labor and invest time in your gift."

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Amber Hurdle

"If you don't leave your job, your job will leave you someday."

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Amber Hurdle

"Bolts work on nuts; pens work on paper. But you must work on yourself. Go, get working!"

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Amber Hurdle

"You are thought here to the most senseless and fit man for the job."

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Amber Hurdle

"Personally, I feel that in my own work I wanted to look programmed or impersonal but I don't really believe I am being impersonal when I do it. And I don't think you could do this."

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Amber Hurdle

"The lessons of September 11 are that if we allow law enforcement to do their work free of political interference, if we give them adequate resources and modern technologies, we can protect our citizens without intruding on our liberties."

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Amber Hurdle

"And uh, I'm glad that I still have my hands and my eyes to work with."

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Amber Hurdle

"With most British actors, it's amazing. I think they start with the character on the outside and work in."

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Flannery O'Connor
"He had a look of composed dissatisfaction, as if he understood life thoroughly."
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Flannery O'Connor
"Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look."
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Flannery O'Connor
"Art transcends its limitations only by staying within them."
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Flannery O'Connor
"Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay."
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Flannery O'Connor
"I don't really think the standard of judgment, the missing link, you spoke of that you find in my stories emerges from any religion but Christianity, because it concerns specifically Christ and the Incarnation, the fact that there has been a unique intervention in history. It's not a matter in these stories of Do Unto Others. That can be found in any ethical cultural series. It is the fact of the Word made flesh."
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Flannery O'Connor
"The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it."
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Flannery O'Connor
"The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location."
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Flannery O'Connor
"I preach there are all kinds of truth, your truth and somebody else's. But behind all of them there is only one truth and that is that there's no truth."
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Flannery O'Connor
"The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole."
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Flannery O'Connor
"It makes a great difference to the look of a novel whether its author believes that the world came late into being and continues to come by a creative act of God, or whether he believes that the world and ourselves are the product of a cosmic accident. It makes a great difference to his novel whether he believes that we are created in God's image, or whether he believes we create God in our own. It makes a great difference whether he believes that our wills are free, or bound like those of the other animals."
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