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Diana Gabaldon

"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."

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"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."

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Amber Hurdle

"Our minds of infinite possibilities have been plowed, seeded and cultivated by every word, institution and sacred belief we hold dear, to produce a foul harvest of exclusion, apathy, brute domination and death."

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"A society becomes a breeding ground of violence and terrorism when it closes its door to new ideas and forces the citizens to live in the prison of conforming thoughts."

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Amber Hurdle

"Don't judge people by their religious, cultural, or professional background. Judge if you must, by their behavior with other people."

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"A country is poor not because they have no wealth but because they have no good ideas."

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"Either you are homophobic or you are a human - you cannot be both."

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Amber Hurdle

"It's strange how money seems to silence a neighborhood," I say quietly. "On my street, where no one has money, it's so loud. Sirens blaring, people shouting, car doors slamming, stereos thumping. There's always someone, somewhere, making noise."

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Amber Hurdle

"O brave new world,That has such people in 't!-Miranda."

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"The overload of useless ceremonials and worship have crippled the whole nation. If you want to do good to your nation and yourself, then throw away your ancient ceremonials as far as possible."

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Amber Hurdle

"Some tourists think Amsterdam is a city of sin, but in truth it is a city of freedom. And in freedom, most people find sin."

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Amber Hurdle

"American corporate capitalism is a murder-suicide mission."

Explore more quotes by Diana Gabaldon

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Diana Gabaldon
"When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang."
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Diana Gabaldon
"At the best of times, Father Bain's face resembled a clenched fist."
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Diana Gabaldon
"Nothing is lost, Sassenach; only changed.""That's the first law of thermodynamics," I said, wiping my nose."No," he said. "That's faith."
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Diana Gabaldon
"Brave' covers everything from complete insanity and bloody disregard of other people's lives - generals tend to go in for that sort - to drunkenness, foolhardiness, and outright idiocy - to the sort of thing that will make a man sweat and tremble and throw up . . . and go and do what he thinks he has to do anyway."
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Diana Gabaldon
"There were moments, of course. Those small spaces in time, too soon gone, when everything seems to stand still, and existence is balanced on a perfect point, like the moment of change between the dark and the light, and when both and neither surround you."
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Diana Gabaldon
"For where all love is, the speaking is unnecessary."
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Diana Gabaldon
"You're beautiful to me, Jamie, I said softly, at last. "So beautiful, you break my heart."
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Diana Gabaldon
"Intimacy and romance are not synonymous."
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Diana Gabaldon
"One of the general patterns of good (i.e., striking and memorable) writing is the effect of repetition. If you use a certain element-a plot device, an image, a noticeable phrase-once, readers may or may not notice it consciously, but it doesn't disturb the flow of their reading. If you use that element twice, they won't notice it consciously-but they will notice it subconsciously, and it will add to the resonance of the writing or to their sense of depth and involvement (and if it's a plot device, it will heighten the dramatic tension). But if you use that element three times, everybody will notice it the third time you do it."
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Diana Gabaldon
"Its appearance was greeted with cries of rapture, and following a brief struggle over possesion of the volume, William rescued it before it should be torn to pieces, but allowed himself to be induced to read some of the passages aloud, his dramatic rendering being greeted by wolflike howls of enthusiasim and hails of live pits."
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