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"Can you not see, that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos."
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"Reality is not enough for us, that's why we have invented art to create different realities!"

"Definitions are vital starting points for the imagination. What we cannot imagine cannot come into being. A good definition marks our starting point and lets us know where we want to end up. As we move toward our desired destination we chart the journey, creating a map. We need a map to guide us on our journey to love--starting with the place where we know what we mean when we speak of love."

"The degree in which a poet's imagination dominates reality is, in the end, the exact measure of his importance and dignity."

"Memories, imagination, old sentiments, and associations are more readily reached through the sense of smell than through any other channel."

"What if dragons breathed bubbles and purred when they cuddled and giggled at chivalrous knights for their troubles?What if dragons felt soft, having scales made of cloth,and they moved rather slow like a brown-throated sloth?What if dragons were shyand did easily crywhen confronted by characters callous and sly?What if dragons did goodbut were misunderstoodso men mercilessly slew the beasts right where they stood?What if dragons aren't missedbecause there is no listof extinct types of quarry that now don't exist?"

"Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever."

"Never tell to much. The monster is always scarier when it is still under the child's bed."

"How easy it is to invent a humanity, for anyone at all."

"The words we construct, the poems we write and the songs we sing, become the love story of a stranger we have never seen."

"Only imagination and belief can differentiate from the rest certain objects, certain people, and can create an atmosphere."
Explore more quotes by Gilbert K. Chesterton

"That is the one eternal education: to be sure enough that something is true that you dare to tell it to a child."

"But whenever one meets modern thinkers (as one often does) progressing towards a madhouse, one always finds, on inquiry, that they have just had a splendid escape from another madhouse. Thus, hundreds of people become Socialists, not because they have tried Socialism and found it nice, but because they have tried Individualism and found it nasty."

"It is currently said that hope goes with youth, and lends to youth its wings of a butterfly; but I fancy that hope is the last gift given to man, and the only gift not given to youth. Youth is pre-eminently the period in which a man can be lyric, fanatical, poetic; but youth is the period in which a man can be hopeless. The end of every episode is the end of the world. But the power of hoping through everything, the knowledge that the soul survives its adventures, that great inspiration comes to the middle-aged; God has kept that good wine until not. It is from the backs of the elderly gentlemen that the wings of the butterfly should burst."

"Men always talk about the most important things to perfect strangers. In the perfect stranger we perceive man himself; the image of a God is not disguised by resemblances to an uncle or doubts of wisdom of a mustache."

"A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arches, the low strong pillars upon which Shakespeare's temple rests we can all explore and handle. We can all get into his mere tragedy; we can all explore his dungeon and penetrate into his coal-cellar, but we stretch our hands and crane our necks in vain towards that height where the tall turrets of his levity are tossed towards the sky. Perhaps it is right that this should be so; properly understood, comedy is an even grander thing than tragedy."

"I say that a man must be certain of his morality for the simple reason that he has to suffer for it."
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