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Chimamanda Ngozi Adichie

"A book did not qualify as literature unless it had polysyllabic words and incomprehensible passages."

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"A book did not qualify as literature unless it had polysyllabic words and incomprehensible passages."

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Amber Hurdle

"The thing that teases the mind over and over for years, and at last gets itself put down rightly on paper whether little or great, it belongs to Literature."

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Amber Hurdle

"Not that length and weight alone indicate excellence, many epic tales are pretty much epic crap."

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Amber Hurdle

"The reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron."

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Amber Hurdle

"The writer studies literature, not the world. He is careful of what he reads, for that is what he will write."

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Amber Hurdle

"A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time - proof that humans can work magic."

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Amber Hurdle

"Upon the publication of Goethe's epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy."

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Amber Hurdle

"If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words."

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Amber Hurdle

"A successful book is not made of what is in it, but what is left out of it."

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Amber Hurdle

"You can always count on a murderer for a fancy prose style."

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Amber Hurdle

"I have been a soreheaded occupant of a file drawer labeled "science fiction" ... and I would like out, particularly since so many serious critics regularly mistake the drawer for a urinal."

Explore more quotes by Chimamanda Ngozi Adichie

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Chimamanda Ngozi Adichie
"A man who would be intimidated by me is exactly the kind of man I would have no interest in."
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Chimamanda Ngozi Adichie
"Smiling a smile full of things restrained."
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Chimamanda Ngozi Adichie
"There are people, she once wrote, who think that we cannot rule ourselves because the few times we tried, we failed, as if all the others who rule themselves today got it right the first time. It is like telling a crawling baby who tries to walk, and then falls back on his buttocks, to stay there. As if the adults walking past him did not all crawl, once."
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Chimamanda Ngozi Adichie
"I have my father's lopsided mouth. When I smile, my lips slope to one side. My doctor sister calls it my cerebral palsy mouth. I am very much a daddy's girl, and even though I would rather my smile wasn't crooked, there is something moving for me about having a mouth exactly like my father's."
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Chimamanda Ngozi Adichie
"She felt as if she had somehow failed him and herself by allowing his mother's behavior to upset her. She should be above it; she should shrug it off as the ranting of a village woman; she should not keep thinking of all the retorts she could have made instead of just standing mutely in that kitchen. But she was upset, and made even more so by Odenigbo's expression, as if he could not believe she was not quite as high-minded as he had thought."
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Chimamanda Ngozi Adichie
"Is love this misguided need to have you beside me most of the time? Is love this safety I feel in our silences? Is it this belonging, this completeness?"
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Chimamanda Ngozi Adichie
"Don't see it as forgiving him. See it as allowing yourself to be happy. What will you do with the misery you have chosen? Will you eat misery?"
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Chimamanda Ngozi Adichie
"Each time he suggested they get married, she said no. They were too happy, precariously so, and she wanted to guard that bond; she feared that marriage would flatten it into a prosaic partnership."
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Chimamanda Ngozi Adichie
"She cries quietly, her shoulders heaving up and down, not the kind of loud sobbing that the women Chika knows do, the kind that screams Hold me and comfort me because I cannot deal with this alone. The woman's crying is private, as though she is carrying out a necessary ritual that involves no one else."
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Chimamanda Ngozi Adichie
"You could have just said Ngozi is your tribal name and Ifemelu is your jungle name and throw in one more as your spiritual name. They'll believe all kinds of shit about Africa."
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