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"We are ignorant of the meaning of the dragon in the same way that we are ignorant of the meaning of the universe; but there is something in the dragon's image that fits man's imagination, and this accounts for the dragon's appearance in different places and periods."
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"From all of our beginnings, we keep reliving the Garden story."

"Even when a prohibition in a fairy-story is guessed to be derived from some taboo once practised long ago, it has probably been preserved in the later stages of the tale's history because of the great mythical significance of prohibition. A sense of significance may indeed have lain behind some of the taboos themselves. Thou shalt not - or else thou shalt depart beggared into endless regret. The gentlest 'nursery-tales' know it. Even Peter Rabbit was forbidden a garden, lost his blue coat, and took sick. The Locked Door stands as an eternal Temptation."

"I am doubtful myself about the undertaking. Part of the attraction of the L.R. is, I think, due to the glimpses of a large history in the background: an attraction like that of viewing far off an unvisited island, or seeing the towers of a distant city gleaming in a sunlit mist. To go there is to destroy the magic, unless new unattainable vistas are again revealed. Also many of the older legends are purely 'mythological', and nearly all are grim and tragic: a long account of the disasters that destroyed the beauty of the Ancient World, from the darkening of Valinor to the Downfall of Numenor and the flight of Elendil."

"In Muspell, at the edge of the flame, where the mist burns into light, where the land ends, stood Surtr, who existed before the gods. He stands there now...It is said that at Ragnarok, which is the end of the world, and only then, Surtr will leave his station. He will go forth from Muspell with his flaming sword and burn the world with fire, and one by one the gods will fall before him."

"Scorpions are quite ruthless, you know. That is why Artemis bid one of them to kill her foe Orion. And as a reward she set the scorpion on up in the sky. I'm not ruthless. I merely do whatever it takes to achive my goalsThat's not ruthless?"
Explore more quotes by Jorge Luis Borges

"I owe my first inkling of the problem of infinity to a large biscuit tin that was a source of vertiginous mystery during my childhood."

"Whatever one man does, it is as if all men did it. For that reason, it is not unfair that one disobedience in a garden should contaminate all humanity; for that reason it is not unjust that the crucifixion of a single Jew should be sufficient to save it."

"I reread these negative remarks and realize that I do not know whether music can despair of music or marble of marble. I do know that literature is an art that can foresee the time when it will be silenced, an art that can become inflamed with its own virtue, fall in love with its own decline, and court its own demise."

"I cannot walk through the suburbs in the solitude of the night without thinking that the night pleases us because it suppresses idle details, just as our memory does."

"Another school declares that all time has already transpired and that our life is only the crepuscular and no doubt falsified and mutilated memory or reflection of an irrecoverable process."

"A writer - and, I believe, generally all persons - must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art."

"I came to abominate my body, I came to sense that two eyes, two hands, two lungs are as monstrous as two faces."
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