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Peter Maxwell Davies

"But you can't really know your audiences so well."

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"But you can't really know your audiences so well."

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Amber Hurdle

"I know two kinds of audiences only - one coughing, and one not coughing."

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Amber Hurdle

"I have spoken to expert audiences occasionally, but then no audience is expert over the whole range of things I want to explore."

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Amber Hurdle

"Teaching physics at the University, and more general lecturing to wider audiences has been a major concern."

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Amber Hurdle

"No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences."

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Amber Hurdle

"The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to."

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Amber Hurdle

"Phish and Dave Matthews really know their audiences and really treat them well."

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Amber Hurdle

"I have not wanted to intimidate audiences. I have not wanted my dancing to be an elitist form. That doesn't mean I haven't wanted it to be excellent."

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Amber Hurdle

"When they tested Fatal Attraction, the audiences were so upset by her behavior, they literally demanded her blood."

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Amber Hurdle

"Large audiences did not suit my low-key approach."

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Amber Hurdle

"We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited."

Explore more quotes by Peter Maxwell Davies

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Peter Maxwell Davies
"But when you get a bit older, and I hate to use the word, quite a bit more established, people take more notice and conducting becomes a great deal easier. You don't have battles like you had before."
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Peter Maxwell Davies
"Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town."
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Peter Maxwell Davies
"I'm very interested, for instance, in music in education - getting young people not only to listen to, but participate in the music that I write. I consider this one of the most vital aspects of my work."
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Peter Maxwell Davies
"I recently did a piece for the Boston Pops and John Williams, and I hope that it's as well a composed piece as I've ever done for any other medium or occasion."
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Peter Maxwell Davies
"At the moment, in Britain we're facing such enormous cutbacks in education programs and music programs and art programs that you feel you are knocking your head against a brick wall."
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Peter Maxwell Davies
"I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral and chamber pieces have got dramatic elements which might even suggest an unspecified dramatic plot of some kind or other, even though it's not in my mind at the time."
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Peter Maxwell Davies
"You don't underestimate either players or audience in any circumstances."
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Peter Maxwell Davies
"I know what I want at least, and the older I get I think I'm better at getting it out of players and singers."
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Peter Maxwell Davies
"If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece."
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Peter Maxwell Davies
"The establishment in Britain is certainly against the arts and against education. If something doesn't make a profit, it's invalid, and art doesn't make a profit in that sense."
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