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"I'm still not sure I made the right choice when I told my wife about the bakery attack.But then,it might not have been a question of right or wrong. Which is to say that wrong choices can produce right results, and vice versa. I myself have adopted the position that,in fact, we never choose anything at all. Things happen. Or not."
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"The worst happens when you least expect it."
"In all seriousness, Archer claims that if you, as a living, alive person, hear the song "You're the One That I Want" from the musical Grease three times in a single day - seemingly by accident, whether in an elevator, on a radio, a telephone hold button, or whatever - it indicates that you'll surely die before sunset."
"Dolorita Hunsickle says that the chipmunks tell your fortune if you catch them but I never did. She says a chipmunk told her she would grow up to be a famous ballerina and that she would die of consumption unloved in a boardinghouse in Prague."
"We cannot prepare our fate, but we can stir it up."
"Niall: We're tossed by the winds of fate. Once we end where they blow us, we make of ourselves that we will."
"DESTINY is a feeling you have that you know something about yourself nobody else does. The picture you have in your own mind of what you're about WILL COME TRUE. It's a kind of a thing you kind of have to keep to your own self, because it's a fragile feeling, and you put it out there, then someone will kill it. It's best to keep that all inside."
Explore more quotes by Haruki Murakami
"Okay, let's put it this way. I would like to sleep with you. But it's alright if I don't sleep with you. What I'm saying is I'd like to be as fair as possible. I don't want to force anything on anybody, any more than I'd want anything forced on me. It's enough that I feel your presence or see your commas swirling around me."
"In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality."
"Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion."
"The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings."
"I always felt as if I'd been handed a cardboard box crammed full of monkeys. I'd take the monkeys out of the box one at a time, carefully brush off the dust, give them a pat on the bottom, and send them scurrying off into the fields. I never knew where they went from there."
"She tried to think about what lay ahead, but soon gave up. 'Words turn into stone,' Nimit had told her. She settled deep into her seat and closed her eyes. All at once the image came to her of the sky she had seen while swimming on her back. And Erroll Garner's 'I'll Remember April.' Let me sleep, she thought. Just let me sleep. And wait for the dream to come."
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