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Milan Kundera

"The best actors do not let the wheels show."

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"The best actors do not let the wheels show."

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A.E. Samaan

"My college training was primarily in theatre, with an eye to becoming a director, actor, or producer."

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A.E. Samaan

"You know, whatever happens between the two of us that's created when we come together as actors is not something I think we can explain."

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A.E. Samaan

"I watch actors destroy themselves by trying to get it right."

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A.E. Samaan

"A lot of talented actors still have to pay their bills."

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A.E. Samaan

"I'm not like one of those actors who's a frustrated director."

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A.E. Samaan

"I couldn't have left my career as an actor on a better note than to have done a cameo in the Lost In Space movie. Doing this part is the highlight of my career. What a way to leave the profession!"

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A.E. Samaan

"I'm an actor who hates dialogue and the present day and reality."

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A.E. Samaan

"For no. 1, it's great writing, super writing. The second thing is that it's great chemistry with all the actors. We just all got along from the very start. Very get-go, we all got along. We just - it was just like we were all meant to be there together."

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A.E. Samaan

"I got out of the Army - in my world - I came to New York, for instance, when the civil rights movement was just beginning, and that created a certain energy, a certain rumble, a certain impetus for black actors."

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A.E. Samaan

"You know the actor John Garfield? In one movie he walked up to this train station, the ticket booth, and the guy says, 'Yes, where are you going?' And he says, 'I want a ticket to nowhere.' I thought: that's it. The freedom to do that. I want a ticket to nowhere."

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Milan Kundera
"Damn! What did Ansermet, that most faithful friend, know about Stravinsky's poverty of heart? What did he, that most devoted friend, know about Stravinsky's capacity to love? And where did he get his utter certainty that the heart is ethically superior to the brain? Are not vile acts committed as often with the heart's help as without it? Can't fanatics, with their bloody hands, boast of a high degree of "affective activity"? Will we ever be done with this imbecile sentimental Inquisition, the heart's Reign of Terror?"

Morality

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Milan Kundera
"Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul, the man cannot resist the woman whose soul thus responds to his voice."

Romance

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Milan Kundera
"The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future."

Literature

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Milan Kundera
"The sound of laughter is like the vaulted dome of a temple of happiness."

Happiness

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Milan Kundera
"All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude. She closed her eyes and listened to the sound of a hunting horn coming from the depths of distant forests. There were paths in those forests."

Solitude

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Milan Kundera
"It was futile to attack with reason the stout wall of irrational feelings that, as is known, is the stuff of which the female mind is made."

Prejudice

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Milan Kundera
"Given the nature of the human couple, the love of a man and a woman is a priori inferior to that which can exist (at least in the best instances) in the love between man and dog...It is a completely selfless love."

Loyalty

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Milan Kundera
"People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past."

Time

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Milan Kundera
"He yearned to step out of his life the way one steps out of a house into the street."

Escape

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Milan Kundera
"Without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows."

Boredom

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