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Joel Coen

"The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them."

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"The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them."

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"I read some, and then visited with people involved in this curious, exciting and somewhat misunderstood sub-culture. I met with a fang maker, who offered to fit me for an exquisite pair."

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"Telling people they look relaxed makes them look relaxed."

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"Most people never run far enough on their first wind to find out they've got a second."

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"In Hollywood the woods are full of people that learned to write but evidently can't read. If they could read their stuff, they'd stop writing."

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"People talk about the conscience, but it seems to me one must just bring it up to a certain point and leave it there. You can let your conscience alone if you're nice to the second housemaid."

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"Who are we? We find that we live on an insignificant planet of a humdrum star lost in a galaxy tucked away in some forgotten corner of a universe in which there are far more galaxies than people."

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"Young people have a marvelous faculty of either dying or adapting themselves to circumstances."

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Akiroq Brost

"Many people feel their outer self isn't the whole self."

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"If you have carefully examined hundred people you met in your life journey, it means that you have read hundred different books! Every person you know is a book; world is full of walking books; some are boring, some are marvellous, some are weak, some are powerful, but they are all useful because they all carry different experiences of different paths!"

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"According to the percentage people, you would be perfectly comfortable."

Explore more quotes by Joel Coen

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Joel Coen
"Our mother was a very religious and observant Jew, our father less so. She was kind of driving the religious education, so for us it was more a burden and an obligation when we were kids at that age."
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Joel Coen
"The question is: Where would it get you if something that's a little bit ambiguous in the movie is made clear? It doesn't get you anywhere."
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Joel Coen
"I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work."
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Joel Coen
"We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis."
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Joel Coen
"I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or about the way they behave, so I guess you can say that that's poking fun at the character. But the character is your own invention, so who cares?"
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Joel Coen
"I guess everything having to do with your background has some influence on how you tell stories but it's hard to parse how growing up in a Jewish community in Minnesota really affected it."
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Joel Coen
"Maybe our telling of the story wasn't as clear as it should have been, but I don't think that's true. In terms of understanding the story, it comes across."
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Joel Coen
"You're doing it to make the character as specific as possible, so that it's a specific individual that you're talking about, not that whole class of people."
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Joel Coen
"These things are hard to pin down. We work on a script a bit, then work on a different one."
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Joel Coen
"The architecture of a story can be a little bit different if it's a true story."
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