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Yann Martel

"How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?"

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"How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?"

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Amber Hurdle

"And it seemed at last that there were two musics progressing at one time before the seat of IlAovatar, and they were utterly at variance. The one was deep and wide ad beautiful, but slow and blended with an immeasurable sorrow from which its beauty chiefly came."

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Amber Hurdle

"One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin."

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Amber Hurdle

"A picture is a voiceless poem, a poem is a vocal picture."

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Amber Hurdle

"The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. But then, in a sense, all poetry is positional: to try to express one's position in regard to the universe embraced by consciousness, is an immemorial urge. Tentacles, not wings, are Apollo's natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"I have always noticed that in portraits of really great writers the mouth is always firmly closed."

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Amber Hurdle

"A work of art has no importance whatever to society. It is only important to the individual."

Explore more quotes by Yann Martel

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Yann Martel
"Afterwards, when it's all over, you meet God. What do you say to God?"
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Yann Martel
"You might think I lost all hope at that point. I did. And as a result I perked up and felt much better."
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Yann Martel
"When I corrected her, I told her that in fact she was not so wrong; that Hindus, in their capacity for love, are indeed hairless Christians, just as Muslims, in the way they see God in everything, are bearded Hindus, and Christians, in their devotion to God, are hat-wearing Muslims."
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Yann Martel
"Socially inferior animals are the ones that make the most strenuous, resourceful efforts to get to know their keepers. They prove to be the ones most faithful to them—it is a fact commonly known in the trade."
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Yann Martel
"A plain is what a mountain aims to be: the closest you can come to being in outer space while yet having your feet on this planet."
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Yann Martel
"Let that be a reminder to you that the past is one thing, but what we make of it, the conclusions we draw, is another. History can be many things, depending on how we read it, just as the future can be many things, depending on how we live it. There is no inevitability to any historical occurrence, only what people will allow to take place. And it is by dreaming first that we get to new realities."
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Yann Martel
"These people walk by a widow deformed by leprosy...walk by children dressed in rags living in the street, and they think, 'Business as usual.' But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening."
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Yann Martel
"I thought I knew not only her habits but also her limits. This display of ferocity, of savage courage, made me realize that I was wrong. All my life I had known only a part of her."
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Yann Martel
"Life is so beautiful that death has fallen in love with it, a jealous, possessive love that grabs at what it can. But life leaps over oblivion lightly, losing only a thing or two of no importance, and gloom is but the passing shadow of a cloud..."
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Yann Martel
"Why can we throw a question further than we can pull in an answer?"
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