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"Most of us have learned to be dispassionate about evil, to look it in the face and find, as often as not, our own grinning reflections with which we do not argue, but good is another matter. Few have stared at that long enough to accept that its face too is grotesque, that in us the good is something under construction. The modes of evil usually receive worthy expression. The modes of good have to be satisfied with a cliche or a smoothing down that will soften their real look."
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"The distinction between pretending you are better than you are and beginning to be better in reality is finer than moral sleuth hounds conceive."

"And there, right in the middle of it, I find 'Forgive us our sins as we forgive those that sin against us.' There is no slightest suggestion that we are offered forgiveness on any other terms. It is made perfectly clear that if we do not forgive we shall not be forgiven."

"Taste is the only morality. Tell me what you like and I'll tell you what you are."

"Life is indeed terribly complicated-to a man who has lost his principles."

"If there is something to pardon in everything, there is also something to condemn."

"For when once people have begun to believe that prosperity is the reward of virtue, their next calamity is obvious. If prosperity is regarded as the reward of virtue it will be regarded as the symptom of virtue. Men will leave off the heavy task of making good men successful. He will adopt the easier task of making out successful men good."

"Fearlessness is the first requisite of spirituality. Cowards can never be moral."

"If you do not understand the Golden Rule, which is the most important law in the universe, then you are in trouble. All other rules in your holy books combined - are not as valuable as the ONE Golden Rule. Take two minutes to learn the most crucial law in life. Killing another human comes with the highest penalty, regardless of how you justify it. All life is sacred."
Explore more quotes by Flannery O'Connor

"To expect too much is to have a sentimental view of life and this is a softness that ends in bitterness."

"The writer operates at a peculiar crossroads where time and place and eternity somehow meet. His problem is to find that location."

"Children know by instinct that hell is an absence of love, and they can pick out theirs without missing."

"He has the mistaken notion that a concern with grace is a concern with exalted human behavior, that it is a pretentious concern. It is, however, simply a concern with the human reaction to that which, instant by instant, gives life to the soul. It is a concern with a realization that breeds charity and with the charity that breeds action. Often the nature of grace can be made plain only by describing its absence."

"Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched."

"The writer has no rights at all except those he forges for himself inside his own work. We have become so flooded with sorry fiction based on unearned liberties, or on the notion that fiction must represent the typical, that in the public mind the deeper kinds of realism are less and less understandable."

"He felt he knew now what time would be like without seasons and what heat would be like without light and what man would be like without salvation. He didn't care if he never made the train and if it had not been for what suddenly caught his attention, like a cry out of the gathering dusk, he might have forgotten there was a station to go to."
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