top of page
.png){kind=small}
"I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though."
Standard
Customized
More
"He who observes etiquette but objects to lying is like someone who dresses fashionably but wears no vest."
Author Name
Personal Development
"Conventional manners are a kind of literacy test for the alien who comes among us."
Author Name
Personal Development
"Don't lick the guests, darling. Bad manners."
Author Name
Personal Development
"Be punctual, it shows your respect for other people."
Author Name
Personal Development
"Audiences who behave obscene toward prominent people have no clue that their opinions can result others to have a bad impression on them."
Author Name
Personal Development
"To touch or not to touch . . . that is the question. Handshakes, hugs, and other touching all have their appropriate space and place. The key to success in this area is to know when, where, and how to best put these into action."
Author Name
Personal Development
"To cease to admire is a proof of deterioration."
Author Name
Personal Development
"Don't talk while having food was only meant to be in integrity with food."
Author Name
Personal Development
"Impeccable manners and courteous behavior are the hallmarks for healthy relations and human interaction."
Author Name
Personal Development
"What is acceptable on a personal level is very different from what is acceptable on a business level. When we utilize touch well, we can elevate our presentation, demonstrate respect, and convey confidence. However, when we use touch poorly, it can be disastrous, personally and professionally."
Author Name
Personal Development
More
"If you can't, or won't, think of Seymour, then you go right ahead and call in some ignorant psychoanalyst. You just do that. You just call in some analyst who's experienced in adjusting people to the joys of television, and Life magazine every Wednesday, and European travel, and the H-bomb, and Presidential elections, and the front page of the Times, and God knows what else that's gloriously normal."
Alienation
"As much as anything else, it was a stare, not so paradoxically, of a privacy-lover who, once his privacy has been invaded, doesn't quite approve when the invader just gets up and leaves, one-two-three, like that."
Privacy
"He laughed and the others laughed with him, except Babe, who resented slightly that what he felt so deeply could be reduced to a humor."
Humor
"But while I was sitting down, I saw something that drove me crazy. Somebody'd written 'fuck you' on the wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it, and how they'd wonder what the hell it meant, and then finally some dirty kid would tell them- all cockeyed naturally- what it meant, and how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it."
Protection
"One of the few things left in the world, aside from the world itself, that sadden me every day is an awareness that you get upset if Boo Boo or Walt tells you you're saying something that sounds like me. You sort of take it as an accusation of piracy, a little slam at your individuality. Is it so bad that we sometimes sound like each other? The membrane is so thin between us. Is it so important for us to keep in mind which is whose... For us, doesn't each of our individualities begin right at the point where we own up to our extremely close connections and accept the inevitability of borrowing one another's jokes, talents, idiocies?"
Interdependence
"Her sample drawings were clipped, rather subordinately, to her photograph. All of them were arresting. One of them was unforgettable. The unforgettable one was done in florid wash colors, with a caption that read: 'Forgive Them Their Trespasses.' It showed three small boys fishing in an odd-looking body of water, one of their jackets draped over a 'No Fishing!' sign. The tallest boy, in the foreground of the picture, appeared to have rickets in one leg and elephantiasis in the other--an effect, it was clear, that Miss Kramer had deliberately used to show that the boy was standing with his feet slightly apart."
Symbolism
"Probably for every man there is at least one city that sooner or later turns into a girl. How well or how badly the man actually knew the girl doesn't necessarily affect the transformation. She was there, and she was the whole city, and that's that."
Cities
"When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody."
Mortality
"I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes."
Relationship
"This fall I think you're riding for-it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started."
Fall
bottom of page