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"Lovers, forget your love,And list the love of these,She a window flower,And he a winter breeze."
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"Perhaps twenty minutes later he realized she had gone to sleep. He quietly removed his now stiff arm, then turned away. It must have woken her a little After a moment he felt her turn as well and lay a hand, instinctively, like a sleeping wife, across his hips; as if, in some dream, he was the one who escaped."

"I chose him. If I chose him, he had to be the right choice. I wouldn't love him if it weren't right."

"Those shiny eyes like the stars in the sky; but black and brown, And those beautiful lips like the flowers but sugary And those kind smells, lovable but with no purpose All meant to be for me? Someone must have been praying and wishing me the whole world."

"It's a known fact, that in life, you can't have everyhing. In my heart, I knew that I loved them both as much as it is possible to love two people at the same time. Conrad and I were linked, we would always be linked. That wasn't something I could do away with. And I know that now--that love isn't something you can erase--no matter how hard you try."

"If you have her mind, you have her for a moment; if you have her heart, you have her for a while; if you have her soul, you have her for a lifetime."

"When love writes a letter, joy is its ink."
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"They are dragged to the withered bracken by the load, And they seem not to break; though once they are bowed So low for long, they never right themselves."


"There should be more or less of a jumble in your head or on your note paper after the first time and even after the second. Much that you will think of in connection will come to nothing and be wasted. But some of it ought to go together under one idea. That idea is the thing to write on and write into the title at the head of your paper. One idea and a few subordinate ideas - [the trick is] to have those happen to you as you read and catch them - not let them escape you. The sidelong glance is what you depend on. You look at your author but you keep the tail of your eye on what is happening over and above your author in your own mind and nature."


"The rain to the wind said,You push and I'll pelt.'They so smote the garden bedThat the flowers actually knelt,And lay lodged--though not dead.I know how the flowers felt."


"The Road Not TakenTwo roads diverged in a yellow wood,And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I- I took the one less traveled by, And that has made all the difference."


"No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader."


"I alone of English writers have consciously set myself to make music out of what I may call the sound of sense."
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