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James Laughlin

"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."

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"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."

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Amber Hurdle

"The Bermuda Triangle got tired of warm weather. It moved to Alaska. Now Santa Claus is missing."

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Amber Hurdle

"There's a part of me that wishes I'd never said one single solitary word on any subject publicly. Then I could have been the tortured poet, and there's so much mileage in that. But it's too late to stop now."

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Amber Hurdle

"Most journalists now believe that a person's privacy zone gets smaller and smaller as the person becomes more and more powerful."

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Amber Hurdle

"My most intimate secrets? Well, if I told you those they wouldn't be secrets now, would they? Seriously though I don't have too many secrets. I'm a very open and honest person, sometimes too honest for my own good."

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Amber Hurdle

"I came from a dirt farm, now I'm filthy rich."

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Amber Hurdle

"I'm an unemployed teacher right now and I'm looking for a place to teach."

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Amber Hurdle

"Now we just showin' and provin' that there's a ghetto everywhere you go."

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Amber Hurdle

"And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world."

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Amber Hurdle

"Cult recruiting methods based on dosing victims with the brain chemicals released during capture bonding would make cults even more of a problem than they are now."

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Amber Hurdle

"Well, it's the Czech Republic now, but more specifically Prague. I went there when I was 12."

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James Laughlin
"It's all well and good to say that Germans were all responsible for the concentration camps, but I don't think they were. I think that was the work of a small group of fiends."
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James Laughlin
"Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
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James Laughlin
"Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of."
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James Laughlin
"I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention."
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James Laughlin
"I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian."
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James Laughlin
"We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good."
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James Laughlin
"The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably."
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James Laughlin
"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."
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James Laughlin
"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."
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James Laughlin
"There are numerous cases of that, where one of our writers discovers another writer whom he likes, and we then take that book on. So it's a very close relationship. We can do that because we're so small."
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