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James Laughlin

"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."

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"Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great."

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Amber Hurdle

"If you have tears, prepare to shed them now."

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Amber Hurdle

"When I was young there was no respect for the young, and now that I am old there is no respect for the old. I missed out coming and going."

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Amber Hurdle

"So, like I said, I will visit Jeffersonville more often because I now have a little getaway house up there."

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Amber Hurdle

"Now I get to pick and choose exactly what I want to do."

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Amber Hurdle

"Now the identification of individual sounds by phonetic observation is an artificial way of proceeding."

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Amber Hurdle

"The rich pay more in total taxes now than ever before - ever. It's true. Just like it's true that when the rich are convinced they're going to be taxed more, they spend less. And when the top few percenters don't spend, there goes all your spending, because they account for half of all retail spending."

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Amber Hurdle

"All the classical genres are now ridiculous in their rigorous purity."

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Amber Hurdle

"Old is always fifteen years from now."

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Amber Hurdle

"I have more zits now than I did as a teenager. Stress zits."

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Amber Hurdle

"I got Jimmy Hall from Wet Willie and he also plays now with Hank Williams Jr."

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James Laughlin
"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."
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James Laughlin
"I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets."
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James Laughlin
"With me it's the whole thing, it's the conceit, the idea, what the poem is saying. And it goes on just as long as is necessary to say what needs to be said."
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James Laughlin
"I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago."
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James Laughlin
"Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of."
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James Laughlin
"Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
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James Laughlin
"There are numerous cases of that, where one of our writers discovers another writer whom he likes, and we then take that book on. So it's a very close relationship. We can do that because we're so small."
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James Laughlin
"I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention."
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James Laughlin
"I try to write in plain brown blocks of American speech but occasionally set in an ancient word or a strange word just to startle the reader a little bit and to break up the monotony of the plain American cadence."
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James Laughlin
"Then, of course, there are those sad occasions when a poet or a writer has not grown, and one has to let them go because they're just not making headway. But we have a very clear personal relationship with the authors."
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