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"All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone."
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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."
"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."
"Anon, who wrote so many poems without signing them, was often a woman."
"The things you were talking about. The lights and the flowers. Do they expect those things to make them romantic, not the other way around? "Darling, what do you mean? "There wasn't a person there who enjoyed it," she said, her voice lifeless, "or who thought or felt anything at all. They moved about, and they said the same dull things they say anywhere. I suppose they thought the lights would make it brilliant."Darling, you take everything too seriously. One is not supposed to be intellectual at a ball. One is simply supposed to be gay." How? By being stupid?"
"A prose that is altogether alive demands something of the reader that the ordinary novel reader is not prepared to give."
"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
"Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed light on it."
"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
"First of all, there was a volcano of words, an eruption of words that Shakespeare had never used before that had never been used in the English language before. It's astonishing. It pours out of him."
"Every novel says to the reader: "Things are not as simple as you think. That is the novel's eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off. In the spirit of our time, it's either Anna or Karenin who is right, and the ancient wisdom of Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless."
Explore more quotes by Erica Jong
"I went for years not finishing anything. Because of course when you finish something you can be judged.... I had poems which were rewritten so many times I suspect it was just a way of avoiding sending them out."
"You're afraid of criticism,' she says. 'But criticism is a sign of life! You know who doesn't get criticized? Nonentities! Only the dead escape criticism."
"Fame turns out to be a powerful instrument of grace because it humbles its chosen victims in a hurry. You sail into it, your canvas swelled with grandiosity, and when your fifteen minutes are over and you are becalmed, you realize that grandiosity cannot take you where you need to go.Only then do you learn to row like hell, asking God for the strength to stay afloat."
"I had forgotten how awful it was to be a woman alone--the leering glances, the catcalls, the offers of help which you dared not accept for fear of incurring a sexual debt. The awful sense of vulnerability. No wonder I had gone from man to man and always wound up married. How could I have left Bennett? How could I have forgotten?"
"Nothing quite has reality for me till I write it all down--revising and embellishing as I go. I'm always waiting for things to be over so I can get home and commit them to paper."
"Husband and wife have no time left to spend together. Marriage took away our one reason for getting married."
"In a bad marriage, friends are the invisible glue. If we have enough friends, we may go on for years, intending to leave, talking about leaving - instead of actually getting up and leaving."
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