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"It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?"
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"The Witch film, was one suspensed and good made one, it could be well made with some more victims... But..."
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Personal Development

"Film gives us a second chance at a first impression."
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Personal Development

"Looper is another great film."
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Personal Development

"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."
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Personal Development

"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."
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Personal Development

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."
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Personal Development

"I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way."
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Personal Development

"When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release."
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Personal Development

"You get to the middle of a take that's going really well and the camera will run out of film. They have to stop you, apologize and then you've got to get things going all over again."
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Personal Development

"I do enjoy film. The more I do it the more I learn."
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"It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?"
Film

"When you make a film, you like to run it with an audience. They tell you you're narrow-minded or subjective, or that seems too long, or that doesn't work."
Work

"With The Omen, I really felt I wasn't in control. It was panic."
Control

"If you had the opportunity and some talent, there was no way you couldn't progress, because it was an open market. There was the advertising world, and there was the documentary world."
Talent

"How was I going to make a man fly? How was I going to convince the public that an actor could fly?"
Actor

"I was painting sets, working in editorial as an assistant, driving their trucks, lying that I knew how to drive a truck, and doing commercials and documentaries."
Driving

"It's developing a relationship with actors that makes it work."
Work

"I was really disappointed that Warner Bros. didn't think highly enough of my film or my filmmaking to ask me to make the new Superman."
Film

"I'm open to comments. I'm open to objective points of view, because I've been very narrow and very subjective."
Personal

"Some actors just won't bend, and then it's a bitch. You either fight or find ways of putting your words in their mouth and letting them say it back at you."
Actor
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